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Moderna umjetnost u Hrvatskoj - Institut za povijest umjetnosti

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3 Iz opsežne literature o tom<br />

problemu vidi: Paul Wood,<br />

Francis Frascina, Johnatan<br />

Harris i Charles Harrison<br />

Modernism in Dispute.<br />

Art since the Forties, New<br />

Haven: Yale University<br />

Press, 1993.; Serge Guilbaut,<br />

Reconstructing Modernism.<br />

Art in New York, Paris<br />

and Montreal 1945–1964,<br />

Cambridge, Mass.: MIT<br />

Press, 1992.; Michael<br />

Leja, Reframing Abstract<br />

271<br />

Expressionism, New Haven:<br />

Yale University Press, 1996.;<br />

Serge Guilbaut, How New<br />

York Stole the Idea of Modern<br />

Art. Abstract Expressionism,<br />

Freedom and the Cold<br />

War, Chicago: University<br />

of Chicago Press, 1998.<br />

[1985.]; Nancy Jachec, The<br />

Philosophy and Politics of<br />

Abstract Expressionism,<br />

1940–1960, Cambridge,<br />

Mass.: MIT Press, 2000.;<br />

Paul Wood (ur.), Varieties<br />

of Modernism, New Haven:<br />

Yale University Press,<br />

2004.; te posebno tekst<br />

R. Burstowa, "Western<br />

european modernism in the<br />

service of American coldwar<br />

liberalism: Unveiling a<br />

'Monument to Democracy'",<br />

u: Ljiljana Kolešnik (ur.),<br />

Nineteen-Fifities: Art and<br />

Idelogy in a Devided Europe<br />

/Conference Proceedings/,<br />

Zagreb: DPUH, 2004.<br />

Gorgona, 1961.,<br />

(fotografija Branko Balić),<br />

fototeka IPU. Zagreb

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