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Grammatically Correct: The writer's essential guide to punctuation ...

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GRAMMATICALLY CORRECT<br />

it and the dash (see the discussion on page 101). However, a colon<br />

is usually most appropriate if the relationship between the opening<br />

and concluding parts of the sentence is straightforward, and a dash<br />

is appropriate if this relationship contains something unexpected.<br />

If either mark would meet your purpose, it is preferable <strong>to</strong> use the<br />

more low-keyed colon, as the dash is stronger and will lose its punch<br />

if overused. Reserve it for situations where you want its dramatic<br />

impact.<br />

Caution: Some authors go wildly overboard with the dash, applying<br />

it wherever any sort of break in a sentence seems <strong>to</strong> be needed.<br />

Such sloppy usage may be acceptable in rough drafts and informal<br />

memos, but will not enhance serious writing.<br />

INDICATING INTERRUPTED DIALOGUE<br />

In dialogue, the em dash serves <strong>to</strong> indicate broken-off speech. One<br />

speaker can interrupt another:<br />

158<br />

"Listen, I'm serious," I said. "No kidding. Why's it better in the<br />

East?"<br />

"It's <strong>to</strong>o involved <strong>to</strong> go in<strong>to</strong>, for God's sake," old Luce said. "<strong>The</strong>y<br />

simply happen <strong>to</strong> regard sex as both a physical and a spiritual experi­<br />

ence. If you think I'm-"<br />

"So do I! So do I regard it as a wuddayacallit-a physical and<br />

spiritual experience and all. I really do. But it depends on who the hell<br />

I'm doing it with. If I'm doing it with someone I don't even-"<br />

"Not so loud, for God's sake, Caulfield. If you can't manage <strong>to</strong> keep<br />

your voice down, let's drop the whole-"<br />

"All right, but listen," I said. I was getting excited and I was talking<br />

a little <strong>to</strong>o loud. Sometimes I talk a little loud when I get excited.<br />

-J.D. SALINGER, <strong>The</strong> Catcher in the Rye<br />

A speaker can s<strong>to</strong>p abruptly without being interrupted:<br />

". . . I <strong>to</strong>ok a corkscrew from the shelf:<br />

I went <strong>to</strong> wake them up myself.<br />

And when I found the door was locked,<br />

I pulled and pushed and kicked and knocked.

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