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Grammatically Correct: The writer's essential guide to punctuation ...

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"Aces drawn after a deuce are high?"<br />

PUNCTUATION<br />

"No, aces drawn after a number that's been drawn two times in a<br />

row just before that."<br />

Sarah had folded her fan of cards and laid them face down-the<br />

last of the wives <strong>to</strong> give up.<br />

-ANNE TYLER, <strong>The</strong> Accidental Tourist<br />

This convention may occasionally be broken if the spoken lines<br />

are brief and if the effect of the writing would be enhanced by<br />

breaking the paragraph only when the scene changes.<br />

"We're going through!" <strong>The</strong> Commander's voice was like thin ice<br />

breaking. He wore his full-dress uniform, with the heavily braided white<br />

cap pulled down rakishly over one cold grey eye. "We can't make it,<br />

sir. It's spoiling for a hurricane, if you ask me." "I'm not asking you,<br />

Lieutenant Berg," said the Commander. "Throw on the power lights!<br />

Rev her up <strong>to</strong> 8,500! We're going through!" <strong>The</strong> pounding of the<br />

cylinders increased: ta-pocketa-pocketa-pocketa-pocketa-pocketa. <strong>The</strong><br />

Commander stared at the ice forming on the pilot window. He walked<br />

over and twisted a row of complicated dials. "Switch on No. 8 auxil­<br />

iary!" he shouted. "Switch on No. 8 auxiliary!" repeated Lieutenant<br />

Berg. "Full strength in No. 3 turret!" shouted the Commander. "Full<br />

strength in No. 3 turret!" <strong>The</strong> crew, bending <strong>to</strong> their various tasks in<br />

the huge, hurtling eight-engined Navy hydroplane, looked at each<br />

other and grinned. "<strong>The</strong> Old Man'll get us through," they said <strong>to</strong> one<br />

another. "<strong>The</strong> Old Man ain't afraid of Hell!"<br />

"Not so fast! You're driving <strong>to</strong>o fast!" said Mrs. Mitty. "What are<br />

you driving so fast for?"<br />

-jAMES THURBER, <strong>The</strong> Secret Life of Walter Mitty<br />

As a rule, however, follow the standard form of starting a new<br />

paragraph for each speaker.<br />

If one speaker's dialogue runs more than a paragraph, put opening<br />

quotation marks at the start of each paragraph but a closing mark<br />

only at the end of the last one, since the closing mark is the signal<br />

that the speech has ended.<br />

173

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