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Grammatically Correct: The writer's essential guide to punctuation ...

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P A R T F 0 U R<br />

Grammar<br />

<strong>The</strong> very mention of the word "grammar" makes some writers quail,<br />

evoking an image of unfathomable, rigid and often arbitrary rules but­<br />

tressed by a mountain of terrifying terminology. In fact, for the most part<br />

grammar consists of sensible conventions designed <strong>to</strong> support unambig­<br />

uous and meaningful expression. Grammar is concerned with the form<br />

and sequence of words in a sentence, and it's often the case that if a rule<br />

isn't followed, some uncertainty or misinterpretation could result.<br />

Achieving clear expression shouldn't be the only motivation for ob­<br />

serving the rules. Unconventional grammar may be taken as an indica­<br />

tion of carelessness or ignorance on the part of a writer, with the result<br />

that readers may end up viewing the content itself less seriously. Thus,<br />

even though some conventions undeniably are based more on tradition<br />

than on logic, the mere fact of their existence means that it is usually in<br />

a <strong>writer's</strong> interests <strong>to</strong> abide by them.<br />

This chapter does not review all the parts of speech, since any compe­<br />

tent English speaker intuitively understands most aspects of sentence<br />

structure. Instead, the focus is on a few <strong>to</strong>pics that present frequent<br />

stumbling blocks <strong>to</strong> even educated and articulate users of the language.<br />

<strong>The</strong>se <strong>to</strong>pics are agreement between subject and verb (ensuring that<br />

these words match each other in form), parallel construction (ensuring<br />

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