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Ivan Dobnik - Vilenica

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On/Off<br />

Stanka Hrastelj · 121<br />

This Polič couple is nice in a way, says Erik every time we are coming away<br />

from a visit, nice in a way, I never know what he means, is it in a way or<br />

nice that he is stressing, on our way home tonight it occurred to me that<br />

I don't even know why we keep calling on them, what binds us together.<br />

Sometimes I see a picture: I am kidnapped by a stranger, dragged to their<br />

place, and seated in a grass-green armchair with my hands tied, then he<br />

walks over to Irena switching her ON, and Irena opens her mouth, starting<br />

on the rehearsals for Steel Magnolias, talking about countless backstage<br />

trivialities, how she went shopping for props, for hair rollers of different<br />

colours and sizes, she got some huge ones, so funny you could piss yourself,<br />

that funny, and she hauled from Butlers two basketfuls of knickknacks<br />

for the stage sitting-room, I am trying to struggle free of the noose, to free<br />

myself, while she is saying that she bought the props in Zagreb, that she<br />

had a cigarette the other day after the rehearsal, the first in four years but<br />

oh boy did it feel good, she was tense, the firemen are so slow to lend the<br />

hall to their group but where could they rehearse otherwise, and always<br />

nagging too about the hall being messed up, but it's messed up worst by<br />

being closed all the time, closed, never even aired, only opened once in<br />

several years, for the polls or a referendum, with a few tables and chairs<br />

moved around and then it's in function from seven till seven, for twelve<br />

hours, a total of twelve hours in several years, she is talking, I am moving<br />

my hands, bending my wrists, slowly the noose is loosening but I am still<br />

a prisoner, she is talking, proud of her leading role though Shelby's role is<br />

not leading, just crucial to the story, a reversal bearer in this play that tries<br />

so hard to be a drama but is too slapdash, too sugary and pretentious to be<br />

moving, still, staged by Irena and her crowd it worked, it worked in our<br />

little town and was mostly entertaining, with the girls parading onstage<br />

in huge fluorescent hair rollers and Shelby always as light as a butterfly,<br />

cheerfully fluttering at the beginning when she gets married and at the end<br />

when she's dying of kidney failure, she is still talking, talking, and I am a<br />

hostage sunk in a grass-green armchair, forced to listen to an actress from<br />

an amateur theatre group, we had to wait for her in the dressing room<br />

after that performance and she hugged us beaming, took the offered hand<br />

and roses and asked us, it was inevitable, asked us what did you think of<br />

it, Irena, what an effort, my goodness, what an effort, but she did not hear<br />

what an effort for nothing, she did not sense in my voice that I was barely<br />

restraining myself from grabbing her by the hair that had just held those<br />

piss-funny rollers and knocking her face against the wall, in my mind's eye<br />

I grabbed her by the hair and started smashing her head against the wall<br />

as hard as I could, but what she heard was a compliment, so she grinned<br />

broadly, I finally work myself free somehow, the noose loosens up enough<br />

for me to pull my hands out, then I decisively rise and switch Irena OFF,

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