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Ivan Dobnik - Vilenica

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I was the black-and-white man in a color photograph<br />

Kafka among the arcadians.<br />

Poems, pohems, loveangelism<br />

modernisms and bar blab about who’s the greatest<br />

halls of fame in a train (returning from Onești): the best<br />

Romanian novels of today<br />

the top ten living poets<br />

just like the Papuans<br />

who still spit in the palm wine kettle to make it ferment …<br />

but poetry is a sign of underdevelopment<br />

and so is staring eye to eye with your God<br />

though you’ve never actually seen him …<br />

Mircea Cărtărescu · 41<br />

I saw computer games and bookstores and both looked the same to me<br />

I suddenly understood that philosophy is entertainment<br />

that mysticism is showbiz<br />

that here everything is pure surface<br />

but more complex than any depth.<br />

what could I become there? a man bemused, gone batty with happiness<br />

but with his life over.<br />

with his life totally fucked, like the worm in a cherry<br />

who thought himself a big shot<br />

until he woke up in the light, his own filth around him<br />

(my filth, my insufferable poems)<br />

I’ve seen people for whom abortion law<br />

is more important than the collapse of the Soviets.<br />

I’ve seen high skies of blue filled with the lights of airplanes<br />

and I’ve known the roar of four thousand universities.<br />

I’ve climbed the steps to the top of the Eiffel Tower<br />

I’ve gone to the top of the Centre Pompidou through the plexiglass tube<br />

and in Iowa City I’ve been to the Fox Head …<br />

I’ve chatted about modernism at Ludwigsburg<br />

with Hassan and Bradbury and Gass and Barth and Federman<br />

the banter of the condemned with his executioner<br />

on my microcassette recorder I caught the swish of the axe<br />

that’s going to sever my head from my body.<br />

I felt like sobbing in the luxury of Monrepos:<br />

how is it possible? why were we born to so little purposeless?<br />

why should we battle our right-wingers Vadim and Funar?<br />

why for once can’t we simply live?<br />

why now when at last we can live<br />

do we again breathe the foul stench of garbage bins?<br />

postmodernism and ’48-ism

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