Monastic Island of Reicheneau - UNESCO: World Heritage
Monastic Island of Reicheneau - UNESCO: World Heritage
Monastic Island of Reicheneau - UNESCO: World Heritage
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In the late 11 th and early 12 th century the preserved transeptless<br />
basilica with nave and two aisles was re-built and<br />
decorated in several stages as a collegiate church. The preserved<br />
ro<strong>of</strong> was put on not much after 1134. As a parish<br />
church St. Peter and Paul’s at Niederzell received rich baroque<br />
and rococo furnishings, which are preserved in the nave<br />
to a large extent.<br />
Oberzell<br />
At the eastern end <strong>of</strong> the island Abbot Heito III (888-891)<br />
founded a church, St. George’s, which he consecrated in<br />
896. In the same year, as a companion <strong>of</strong> Emperor Arnulf in<br />
Rome he acquired the head <strong>of</strong> Saint George as a relic. Possibly<br />
he had planned for his entombment in this church; in<br />
891 he had become archbishop <strong>of</strong> Mainz and had taken on<br />
numerous high <strong>of</strong>fices and abbeys.<br />
The first church building can be reconstructed as a cruciform<br />
aisleless church with two side conchas (“trefoil-shaped<br />
plan”) (partly preserved). Before or not long after 896 the<br />
church was re-built to a large extent. It was planned to keep<br />
the side conchas, to built a crypt and add a nave with two<br />
aisles. Structural problems required early changes in planning,<br />
so today’s church is a basilica with a colonnade, a<br />
crypt, constructed as a combination <strong>of</strong> gallery and hall, a<br />
raised crossing with two transverse arms, half-round in the<br />
west and square in the east, and a chancel. Parts <strong>of</strong> the figured<br />
and ornamental decoration <strong>of</strong> the 10 th century in the<br />
transverse arms, chancel and crypt <strong>of</strong> this church are preserved.<br />
The monumental cycle <strong>of</strong> eight miracle scenes from<br />
the New Testament in the nave is the most important work<br />
<strong>of</strong> Ottonian wall painting north <strong>of</strong> the Alps from the viewpoint<br />
<strong>of</strong> iconography, style and technique.<br />
In the 10 th or early 11 th century the western apse with its<br />
portal and a porch were added, also furnished with wallpaintings.<br />
More recent changes were the raising <strong>of</strong> the crossing<br />
tower in 1385, the construction <strong>of</strong> a lectern (remains<br />
<strong>of</strong> the reliefs are preserved) and the crossing vault around<br />
1435; the transverse arms became sacristies. In the course<br />
<strong>of</strong> baroque re-furnishings the west apse was redecorated<br />
(1708) and later the clerestory windows were extended. The<br />
then distempered frescos were uncovered in 1879–82.<br />
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