Monastic Island of Reicheneau - UNESCO: World Heritage
Monastic Island of Reicheneau - UNESCO: World Heritage
Monastic Island of Reicheneau - UNESCO: World Heritage
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Crit. IV. The monastic island <strong>of</strong> Reichenau is an outstanding<br />
example <strong>of</strong> an architectural ensemble illustrating an important<br />
period <strong>of</strong> time in the history <strong>of</strong> mankind. The spatial and<br />
functional coherence <strong>of</strong> buildings and related areas kept free <strong>of</strong><br />
settlement dates back to the Middle Ages. It is preserved in its<br />
essential parts and still clearly understandable today. The three<br />
preserved churches on the monastic island and the other<br />
archeologically provable church buildings form an outstanding<br />
example <strong>of</strong> a homogeneous ensemble <strong>of</strong> medieval churches in the<br />
context <strong>of</strong> a monastic island. The crossing, transepts, and chancel<br />
<strong>of</strong> the Carolingian cruciform basilica <strong>of</strong> Mittelzell, consecrated in<br />
816, are exceptional both in their size and their excellent state <strong>of</strong><br />
conservation, and constitute a major example <strong>of</strong> this particular type<br />
<strong>of</strong> crossing ("detached crossing") in Europe. Equally important are<br />
the surviving parts <strong>of</strong> the Carolingian monastery with a heating<br />
System modeled on ancient Roman examples. The transepts and apse<br />
<strong>of</strong> the church <strong>of</strong> St. Mark (1048), linked to the Carolingian parts by<br />
the nave, are equally important to the history <strong>of</strong> European<br />
architecture. The wall paintings in the apse <strong>of</strong> the church <strong>of</strong> St. Peter<br />
und Paul at Niederzell are <strong>of</strong> exceptional quality, and constitute one<br />
<strong>of</strong> the earliest depictions <strong>of</strong> the Maiestas surviving north <strong>of</strong> the Alps.<br />
The wall paintings decorating the nave <strong>of</strong> the church <strong>of</strong> St. Georg’s<br />
at Oberzell are <strong>of</strong> the highest order artistically and constitute the only<br />
example <strong>of</strong> a complete and largely preserved set <strong>of</strong> pre-1000 scenic<br />
wall paintings north <strong>of</strong> the Alps. The three important churches<br />
however are not isolated but surrounded by a wealth <strong>of</strong><br />
structures still illustrating today the tradition <strong>of</strong> a merely<br />
monastic island. Among these structures are for instance the<br />
monastic buildings dating back to the 8 th century, the<br />
archeological evidences <strong>of</strong> other churches, the prestigious<br />
buildings for the administration <strong>of</strong> the monastery, the<br />
Klosterleutesiedlung (settlement <strong>of</strong> the lay community) around<br />
the Ergat with the seat <strong>of</strong> the “Amman” (bailiff) (“Altes<br />
Rathaus”). Features characteristic <strong>of</strong> the monastic island and<br />
existing through the centuries until today are the vast areas kept<br />
clear <strong>of</strong> settlement and used for agricultural purposes geared to<br />
cater to the needs <strong>of</strong> the monastery by growing special crops like<br />
vine and the shielding <strong>of</strong>f <strong>of</strong> the island by near-natural areas at<br />
the shoreline with a vegetation pattern <strong>of</strong> willows, poplars and<br />
sedge or reeds.<br />
Such an ensemble <strong>of</strong> churches <strong>of</strong> supreme quality dating from<br />
the 1 st millenium and bearing architectural and topographico-