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The numismatic chronicle and journal of the Royal Numismatic Society

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QUAESTIONES CYKENAICAE. 163<br />

This group <strong>of</strong> coins st<strong>and</strong>s closely bound toge<strong>the</strong>r<br />

by weight, legend, types, <strong>and</strong> style, <strong>and</strong> it must be<br />

studied as a whole. With it goes a copper coin in<br />

Turin, Obv. Head <strong>of</strong> Artemis with quiver at shoulder,<br />

<strong>and</strong> AAMHKYPANA. Rev. Nike flying, r. holding<br />

wreath <strong>and</strong> taenia. 116<br />

<strong>The</strong> identity <strong>of</strong> <strong>the</strong> head on Nos. 76-8 is open to<br />

doubt. <strong>The</strong> first <strong>of</strong> <strong>the</strong> coins to be published (<strong>the</strong><br />

Paris specimen <strong>of</strong> No. 78) is in such poor condition,<br />

<strong>and</strong> has besides received such rough usage, that <strong>the</strong><br />

features at first sight do not much resemble those <strong>of</strong><br />

<strong>the</strong> Imho<strong>of</strong> specimen. This is due to a blow which<br />

can be traced slantwise across <strong>the</strong> neck, <strong>and</strong> to <strong>the</strong><br />

spreading <strong>of</strong> a crack in <strong>the</strong> die in front <strong>of</strong> <strong>the</strong> forehead.<br />

Thus disfigured <strong>the</strong> head was taken by Miiller to<br />

be a portrait <strong>of</strong> Ptolemy I, with which <strong>the</strong> low weight<br />

<strong>of</strong> <strong>the</strong> coin seemed to agree. A glance, however, at<br />

<strong>the</strong> head on <strong>the</strong> Imho<strong>of</strong> coin is enough to gainsay<br />

this attribution, <strong>and</strong> <strong>the</strong> abnormally low weight is<br />

sufficiently accounted for by poorness <strong>of</strong> condition.<br />

Svoronos, who published No. 76, 117 calls <strong>the</strong> head<br />

Apollo. Imho<strong>of</strong> in publishing his specimen <strong>of</strong> No. 78<br />

prefers Dionysos. 118 <strong>The</strong> crucial factors are <strong>the</strong> wreath<br />

<strong>and</strong> symbol; as appears from Nos. 76-7 <strong>the</strong> latter<br />

cannot be a thyrsos, can in fact only be a quiver.<br />

<strong>The</strong> wreath is more obscure, though it seems more<br />

like ivy than laurel. Apollo <strong>the</strong> archer we can under-<br />

st<strong>and</strong>, but what is a quiver to Dionysos ? It is tempting<br />

116<br />

M. i. 236 (fig.).<br />

17<br />

Rev. Num., 1892, pp. 212 <strong>and</strong> 506.<br />

Zurgr. und rom. Milnzk., p. 246: 1. He also reads E <strong>and</strong> fl H<br />

in front <strong>of</strong> <strong>the</strong> neck, but a comparison with <strong>the</strong> o<strong>the</strong>r casts from <strong>the</strong><br />

same <strong>and</strong> similar dies would show that <strong>the</strong>se " letters ''<br />

are merely<br />

<strong>the</strong> hair which falls to r. <strong>of</strong> <strong>the</strong> neck.

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