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The numismatic chronicle and journal of the Royal Numismatic Society

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30 J. MAVROGORDATO.<br />

paper, he came to <strong>the</strong> same conclusion about <strong>the</strong><br />

probable issue <strong>of</strong> a federal coinage at <strong>the</strong> time <strong>of</strong> <strong>the</strong><br />

Ionian Eevolt. <strong>The</strong> author <strong>the</strong>re recognized that this<br />

<strong>of</strong> those<br />

particular coin is older than <strong>the</strong> majority<br />

<strong>the</strong> hoard to which <strong>the</strong> date <strong>of</strong> 500 B.C. is<br />

composing<br />

roughly assigned.<br />

This coin is <strong>of</strong> later style than No. 5, though it has<br />

a similar plain incuse. It is possible that <strong>the</strong> absence<br />

<strong>of</strong> <strong>the</strong> crossed lines in this case may be due to wear,<br />

since traces <strong>of</strong> what might have been quartering^ are<br />

to be detected in <strong>the</strong> square, whereas <strong>the</strong> reverse <strong>of</strong><br />

No. 5 shows no signs <strong>of</strong> <strong>the</strong>m at all.<br />

Both <strong>the</strong> coins here described are from <strong>the</strong> same dies.<br />

No. 7. So far as I am aware this beautiful stater<br />

has never been <strong>the</strong> subject <strong>of</strong> any special reference.<br />

It is an example <strong>of</strong> all that is finest in archaic art,<br />

<strong>and</strong> a pro<strong>of</strong> <strong>of</strong> <strong>the</strong> high level reached by craftsmen in<br />

Chios at this period. Unfortunately none <strong>of</strong> <strong>the</strong><br />

specimens that I have come across is in really good<br />

condition, M. B,. Jameson's coin being quite <strong>the</strong> finest<br />

<strong>of</strong> <strong>the</strong> four. This prevents any comparison <strong>of</strong> dies in<br />

<strong>the</strong> case <strong>of</strong> <strong>the</strong> obverses, but for <strong>the</strong> reverses two are<br />

recognizable, one between M. Yakountchik<strong>of</strong>f's <strong>and</strong><br />

<strong>the</strong> Egger Cat. specimens, <strong>and</strong> <strong>the</strong> o<strong>the</strong>r between<br />

M. Jameson's <strong>and</strong> <strong>the</strong> French Cabinet's coins.<br />

This type affords <strong>the</strong> only instance <strong>of</strong> an electrum<br />

coin at Chios, with <strong>the</strong> exception <strong>of</strong> <strong>the</strong> fifth-century<br />

stater, in which <strong>the</strong> Sphinx is depicted to left.<br />

<strong>The</strong> silver didrachms that I suggest for this period<br />

are <strong>the</strong> following :<br />

8. Obv. Sphinx <strong>of</strong> archaic style seated 1. on plain exergual<br />

line ; wing curled ; hair in dense mass like an<br />

Egyptian wig ;<br />

dcaWQ in perspective.<br />

both forelegs showing, but not

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