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The numismatic chronicle and journal of the Royal Numismatic Society

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CHRONOLOGY OF THE COINS OF CHIOS. 33<br />

This is <strong>the</strong> last time that <strong>the</strong> plain incuse appears<br />

in <strong>the</strong> series, <strong>and</strong> <strong>the</strong>re is no sign here whatever <strong>of</strong><br />

<strong>the</strong> punch having originally been quartered<br />

smooth by use.<br />

but worn<br />

Nos. 9-12. <strong>The</strong>se types were first published by<br />

Sir Hermann Weber <strong>and</strong> Dr. Dressel in <strong>the</strong>ir descrip-<br />

tions <strong>of</strong> <strong>the</strong> Sakha hoard (see note 7 above). Judging<br />

from <strong>the</strong> varieties to be noted among <strong>the</strong>m, <strong>the</strong>ir issue,<br />

taken as a whole, seems to have been a more plentiful<br />

one than any <strong>of</strong> its predecessors. I illustrate two coins<br />

<strong>of</strong> type No. 9 [PL I. 10 <strong>and</strong> 11] so as to show <strong>the</strong> cock's<br />

head <strong>and</strong> peculiar exergual line clearly.<br />

<strong>The</strong>re must have been some little interval between<br />

No. 8 <strong>and</strong> <strong>the</strong> present group, which is distinguished<br />

from all o<strong>the</strong>r silver issues <strong>of</strong> Chios, previous to <strong>the</strong><br />

Roman period, by <strong>the</strong> Sphinx's upraised forepaw.<br />

<strong>The</strong> design has suddenly become more ornate, <strong>and</strong> <strong>the</strong><br />

dotted border, very finely executed on some specimens,<br />

is a novel <strong>and</strong> unusual feature for <strong>the</strong> period. Still,<br />

<strong>the</strong> large head <strong>and</strong> straightly falling mass <strong>of</strong> hair are<br />

typical <strong>of</strong> archaic art, <strong>and</strong> connect <strong>the</strong> group intimately,<br />

although <strong>the</strong> type is so different in o<strong>the</strong>r respects, with<br />

<strong>the</strong> electrum stater No. 6. <strong>The</strong> peculiar shape <strong>of</strong> <strong>the</strong><br />

Sphinx's wing also does this, for no wing quite like it<br />

is seen again on <strong>the</strong> sixth-century didrachms, though<br />

it had already occurred on <strong>the</strong> earlier electrum [PI. 1. 4].<br />

<strong>The</strong> upraised forepaw is, <strong>of</strong> course, a link with <strong>the</strong><br />

electrum stater No. 7, which, as we have seen,<br />

later than<br />

may on general grounds <strong>of</strong> style be placed<br />

No. 6.<br />

No. 12, in spite <strong>of</strong> its older reverse, is, I think, a little<br />

later than <strong>the</strong> rest <strong>of</strong> <strong>the</strong>se coins with <strong>the</strong> dotted border,<br />

because <strong>of</strong> <strong>the</strong> smaller head <strong>and</strong> <strong>the</strong> attempt made to<br />

NUMISM. CHKON., VOL. XV, SERIES IV.<br />

D

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