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The numismatic chronicle and journal of the Royal Numismatic Society

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KOYAL NUMISMATIC SOCIETY. 37<br />

to <strong>of</strong>fer any alternative explanation. He suggests, however,<br />

that "a parallel for this temporizing use <strong>of</strong> a meaningless<br />

inscription may be found in <strong>the</strong> Danish coinage <strong>of</strong> 1044-7,<br />

<strong>the</strong> period <strong>of</strong> <strong>the</strong> struggle <strong>of</strong> Magnus <strong>and</strong> Svvein ". <strong>and</strong> adds<br />

that "some coins <strong>of</strong> this period are figured <strong>and</strong> described by<br />

Hauberg (Myntforliold og Udmyntninger I DanmarJc, p. 49,<br />

<strong>and</strong> pi. viii. figs. 1-7) which bear <strong>the</strong> unintelligible name<br />

IOANST with <strong>the</strong> title REX".<br />

Although it is with great diffidence that I myself venture<br />

on <strong>the</strong> field <strong>of</strong> English <strong>numismatic</strong>s, I cannot help suggest-<br />

no doubt in-<br />

ing that <strong>the</strong> inscription PERERIC, though<br />

tentionally used for <strong>the</strong> deliberate purpose <strong>of</strong> non-committal,<br />

must have been based on some generally known legend.<br />

If not IMPERATRICIS, which seems too wide <strong>of</strong> <strong>the</strong><br />

mark <strong>and</strong> for o<strong>the</strong>r reasons inacceptable, surely <strong>the</strong> obvious<br />

suggestion might<br />

be considered that it is founded on a<br />

slight variation <strong>of</strong> <strong>the</strong> IlENRIC which forms part<br />

<strong>of</strong> <strong>the</strong><br />

obverse legend on <strong>the</strong> coinage <strong>of</strong> Henry I ? <strong>The</strong> parallel<br />

with <strong>the</strong> Danish piece reading IOANST is certainly <strong>of</strong><br />

value. But here, too, it does not seem impossible to suggest<br />

an obvious original. On <strong>the</strong> same plate <strong>of</strong> Hauberg's work<br />

<strong>the</strong>re is engraved a contemporary Danish imitation <strong>of</strong><br />

a Byzantine type in which <strong>the</strong> first letters <strong>of</strong> <strong>the</strong> name<br />

clearly appear as IO. It seems probable, <strong>the</strong>refore, that<br />

<strong>the</strong> IOAN <strong>of</strong> <strong>the</strong> legend was suggested by some coin <strong>of</strong><br />

a Byzantine Emperor, such as John Zimisces. <strong>The</strong> Byzan-<br />

tine influence on Denmark at this period is in fact illus-<br />

trated by a series <strong>of</strong> types.<br />

Our Medallist, Mr. Hill, in his investigations on <strong>the</strong><br />

technique <strong>of</strong> Simon de Passe, has given conclusive reasons<br />

for believing that <strong>the</strong> plaques <strong>of</strong> this artist were in each<br />

case separately engraved, as suggested by Sir Sidney Colvin<br />

in his work on Early Engravers <strong>and</strong> Engraving in Engl<strong>and</strong>.<br />

<strong>The</strong> repetitions <strong>of</strong> this design were in fact produced " not<br />

by any form <strong>of</strong> stamping but by <strong>the</strong> everyday method

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