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The numismatic chronicle and journal of the Royal Numismatic Society

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164 E. S. G. ROBINSOX.<br />

to bring <strong>the</strong> head into connexion with <strong>the</strong> reverse<br />

type to which it is joined on No. 76. May it not be that<br />

<strong>of</strong> an adolescent Eros with his quiver ? As for <strong>the</strong> ivy<br />

wreath, Eros from <strong>the</strong> fourth century is <strong>of</strong>ten closely<br />

associated with Dionysos ; on occasion he even holds<br />

<strong>the</strong> thyrsos, <strong>and</strong> fills <strong>the</strong> place <strong>of</strong> <strong>the</strong> god. 119 If it be<br />

not Eros, it must be Apollo ;<br />

for <strong>the</strong> adjunct is certainly<br />

a quiver, <strong>and</strong> No. 79 <strong>and</strong> <strong>the</strong> bronze coin with Artemis<br />

mentioned above indicate that in this group <strong>the</strong><br />

adjunct should be connected with <strong>the</strong> main type.<br />

Whe<strong>the</strong>r No. 78 ever bore <strong>the</strong> name EIAflNO is<br />

doubtful, for in both <strong>of</strong> <strong>the</strong> known examples <strong>the</strong> surface<br />

(to judge by casts) leaves much to be desired in <strong>the</strong><br />

place where No. 76 would lead us to look for <strong>the</strong><br />

inscription. That both dies are from <strong>the</strong> same h<strong>and</strong><br />

is obvious, <strong>and</strong> in view <strong>of</strong> <strong>the</strong> ease with which <strong>the</strong> name<br />

has already disappeared from No. 77, Pheidon may well<br />

have signed No. 78 as well.<br />

With No. 79 we face a very different question. At<br />

first sight it would seem as if <strong>the</strong> name EYEIAEY3<br />

must necessarily bring this coin into line with <strong>the</strong> rest<br />

bearing that name, <strong>and</strong> that it must <strong>the</strong>refore belong<br />

to <strong>the</strong> middle <strong>of</strong> <strong>the</strong> fourth century. But may <strong>the</strong>re not<br />

have been a second 0EYEI AEY^ perhaps a descendant<br />

<strong>of</strong> <strong>the</strong> first ? <strong>The</strong> arguments in favour <strong>of</strong> this view,<br />

though none <strong>of</strong> <strong>the</strong>m is in itself conclusive, seem to<br />

have a cumulative weight which is almost over-<br />

whelming.<br />

Assuming that <strong>the</strong> o<strong>the</strong>r issues reading 0EY4>EIhave<br />

been correctly placed before<br />

19<br />

See Furtwangler, Eros in der Vasenmalerei, p. 41. I owe this<br />

to Mr. Hill.<br />

suggestion

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