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The numismatic chronicle and journal of the Royal Numismatic Society

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VIII.<br />

THE TECHNIQUE OF SIMON VAN<br />

DE PASSE.<br />

(SEE PLATES X, XI.)<br />

THE British Museum recently acquired an unusually<br />

fine example <strong>of</strong> <strong>the</strong> work <strong>of</strong> Simon van de Passe, which,<br />

so far as I know, is unique [PI. X. l].<br />

It is a silver<br />

plaque, 55 x 43 mm. or 2-2 x 1-79 inches in dimensions,<br />

engraved on both sides in <strong>the</strong> artist's well-known<br />

manner. It represents <strong>the</strong> bust <strong>of</strong> a man, with pointed<br />

ruff <strong>and</strong><br />

beard, three-quarter face turned to r., wearing<br />

doublet. <strong>The</strong> design is enclosed in a border such as is<br />

not, to my knowledge, found on any o<strong>the</strong>r medallion<br />

<strong>the</strong> same h<strong>and</strong>. On <strong>the</strong> reverse is a heraldic<br />

by<br />

achievement, apparently as follows : Quarterly <strong>of</strong> six,<br />

three <strong>and</strong> three: 1. [az.] a chevron ermine between<br />

three rams' heads razed ; 2. a lion debruised by a fess<br />

engrailed; 3. an eagle displayed; 4. vair; 5. [gu.]<br />

three bends [arg.] ; 6. three thistles ; Crest, a thistle.<br />

<strong>The</strong> shading, it is clear, is anything but systematic;<br />

<strong>and</strong> I doubt whe<strong>the</strong>r it is intended seriously.<br />

<strong>The</strong> motto on a scroll below is " Minervam tempo-<br />

rare Musis ". <strong>The</strong>re is no o<strong>the</strong>r inscription save <strong>the</strong><br />

signature, " Sim : Pafs. fee," which is, in a manner somewhat<br />

unusual with <strong>the</strong> artist, written over (or under) <strong>the</strong><br />

shading <strong>of</strong> <strong>the</strong> field, instead <strong>of</strong> on a clear space.<br />

<strong>The</strong> identification <strong>of</strong> <strong>the</strong> coat <strong>of</strong> arms seems to pre-<br />

sent considerable difficulties. I have to thank Lyon

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