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who's who in research visuAl Arts - Intellect

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Cities Institute, Ladbroke House, 62-<br />

66 Highbury Grove, London, N5<br />

2AD, United K<strong>in</strong>gdom<br />

Keywords urban, regeneration, social<br />

and cultural <strong>in</strong>equalities, cultural<br />

policy, creative <strong>in</strong>dustries, urban<br />

development<br />

Richard Forster<br />

United K<strong>in</strong>gdom<br />

Keywords art, ocean, landscapes<br />

Maurizio Forte<br />

University of California, Humanities<br />

and Art Department, 5200 North Lake<br />

Road, Merced, CA, 95343, United<br />

States of America<br />

Keywords metaverse, virtual<br />

collaborative systems, cyberarchaeology<br />

Human Geography and has worked <strong>in</strong> local government. Her particular<br />

<strong>research</strong> <strong>in</strong>terests are <strong>in</strong> urban social and cultural <strong>in</strong>equalities. She is<br />

currently complet<strong>in</strong>g <strong>research</strong> <strong>in</strong>to the governance of disadvantaged<br />

urban areas <strong>in</strong> Vancouver as part of a comparative study of Canadian<br />

ad British cities and engaged <strong>in</strong> multidiscipl<strong>in</strong>ary <strong>research</strong> <strong>in</strong>to the<br />

quality of life <strong>in</strong> mixed-use <strong>in</strong>ner city neighbourhoods. She has also<br />

undertaken <strong>research</strong> <strong>in</strong>to local cultural policy and creative <strong>in</strong>dustries,<br />

consumption and retail change, and gendered employment all with<strong>in</strong><br />

the context of the uneven development of city spaces.<br />

› Strategies for creative <strong>in</strong>dustries: an <strong>in</strong>ternational review, Creative Industries<br />

Journal, 1.2, 91-113.<br />

Richard Forster is an artist and essayist <strong>who</strong> was born <strong>in</strong> the United<br />

States <strong>in</strong> 1970. He received a BA <strong>in</strong> F<strong>in</strong>e Art at Manchester<br />

Polytechnic and a MA <strong>in</strong> Visual Theories at the University of<br />

London. In 2006, he was selected for a Jerwood Artists’ Platform<br />

hosted by Cell Project Space <strong>in</strong> London. Richard currently lives <strong>in</strong><br />

England.<br />

› Seascapes, Journal of Visual Art Practice, 9.3, 211-217.<br />

Maurizio Forte, Ph.D., is a full professor of world heritage at the<br />

University of California, Merced, and Professor of Virtual<br />

Environments for Cultural Heritage at the University of Lugano. He is<br />

member of the board of directors of several <strong>in</strong>ternational organizations<br />

such as Electronic Cultural Atlas Initiative (ECAI), Virtual Systems<br />

and Multimedia (VSMM) and International Council on Monuments<br />

and Sites (ICOMOS). His <strong>research</strong> topics are virtual heritage, cyberarchaeology,<br />

landscape archaeology, proto-history, and methodology<br />

of archaeological <strong>research</strong>. His <strong>research</strong> work and teach<strong>in</strong>g are focused<br />

on the <strong>in</strong>terpretation, communication and reconstruction process <strong>in</strong><br />

archaeology and cultural heritage. He has coord<strong>in</strong>ated <strong>research</strong> projects<br />

<strong>in</strong> Italy, India, Turkey Ethiopia, Egypt, Syria, Kazakhstan, Peru, Ch<strong>in</strong>a,<br />

Oman, and Mexico. He is editor and author of several books <strong>in</strong>clud<strong>in</strong>g<br />

Virtual Archaeology (Thames & Hudson Ltd, 1997), Virtual Reality <strong>in</strong><br />

Archaeology (Oxford, Archaeopress, 2000), and of over 200<br />

› Cyber-archaeology and metaverse collaborative systems, Metaverse<br />

Creativity, 1.1, 7-19.

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