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who's who in research visuAl Arts - Intellect

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Newcastle University, KNOSSOS,<br />

Newcastle Upon Tyne, Tyne and<br />

Wear, NE1 7RU, United K<strong>in</strong>gdom<br />

Keywords materia poetica, ontopoetics,<br />

narratability, post-mechanical<br />

age, pata-physics<br />

Michael Jarvis<br />

Northumbria University, School of<br />

Health, Social work and Education,<br />

Coach Lane Campus, Coach Lane,<br />

Benton, Newcastle-Upon-Tyne, NE7<br />

7XA, United K<strong>in</strong>gdom<br />

Keywords expertise, implicit,<br />

<strong>in</strong>tuition, process, procedure<br />

Marta Jecu<br />

Keywords<br />

Marie Jefsiout<strong>in</strong>e<br />

Birm<strong>in</strong>gham City University,<br />

Birm<strong>in</strong>gham Institute of Art and<br />

Design, Corporation Street, Gosta<br />

Green, Birm<strong>in</strong>gham, West Midlands,<br />

B4 7DX, United K<strong>in</strong>gdom<br />

Keywords negotiation, work-based<br />

University of Newcastle-upon-Tyne, United K<strong>in</strong>gdom. He has<br />

published over 300 scientific articles and several books. His recent<br />

work has been concerned with theories of man-made systems and ontoepistemic<br />

and educational issues concern<strong>in</strong>g the <strong>in</strong>terface between the<br />

generation and transmission of knowledge.<br />

› Materia poetica: models of corporeality and onto-poetic pata-physics of the<br />

post-mechanical age, Technoetic <strong>Arts</strong>: A Journal of Speculative Research,<br />

3.1, 3-12.<br />

Michael Jarvis is an artist, writer and lecturer. He works at<br />

Northumbria University <strong>in</strong> Newcastle-Upon-Tyne where he contributes<br />

to undergraduate and postgraduate programmes <strong>in</strong> Teacher Education<br />

and F<strong>in</strong>e Art. He has recently completed a Ph.D. <strong>in</strong> F<strong>in</strong>e Art at<br />

Lancaster University. The <strong>research</strong> is concerned with the practice of<br />

pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> relation to various announcements of its ‘death’ and demise<br />

s<strong>in</strong>ce 1840.<br />

› Articulat<strong>in</strong>g the tacit dimension <strong>in</strong> artmak<strong>in</strong>g, Journal of Visual Art Practice,<br />

6.3, 201-214.<br />

› Francis Bacon and the practice of pa<strong>in</strong>t<strong>in</strong>g, Journal of Visual Art Practice,<br />

8.3, 181-193.<br />

› Exhibition Reviews, Journal of Curatorial Studies, 1.1, 101-116.<br />

Marie Jefsiout<strong>in</strong>e is Senior Research Fellow <strong>in</strong> Digital Media at the<br />

Birm<strong>in</strong>gham Institute of Art and Design. She is <strong>in</strong>volved <strong>in</strong> usercentred<br />

design and usability <strong>research</strong>. She has a background <strong>in</strong><br />

psychology, human-computer <strong>in</strong>teraction and educational media, and<br />

has worked <strong>in</strong> <strong>in</strong>teraction design for over ten years, previously at the<br />

BBC, the Open University and Goldsmiths College. She has designed a<br />

number of CD-ROMs and websites, <strong>in</strong>clud<strong>in</strong>g the Virtual Gallery of<br />

Contemporary Jewellery, now on display <strong>in</strong> the Victoria and Albert

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