who's who in research visuAl Arts - Intellect

Keywords Welsh culture,
nationalism, performance, Wales,
Australia, ontology
Anthony Harrild
Anglia Ruskin University
Keywords
Dew Harrison
University of Wolverhampton, School
of Art and Design, Molineux Street,
Wolverhampton, West Midlands,
WV1 1DT, United Kingdom
Keywords creative thinking,
daydream, liminal state, associative
media, virtual-real
published creative and critical work, including On Creative Writing
(MLM, 2010), Moon Dance (Parlor, 2010) and Sound and Music in
Film and the Visual Media: A Critical Overview (Continuum, 2009).
› Creative writing: words as practice-led research, Journal of Visual Art
Practice, 7.2, 161-171.
› A summary of The Americans for the Arts Economic Impact of America’s
Non-profit Arts and Culture Industry, Creative Industries Journal, 1.1, 73-
75.
› Creative Platforms: harnessing expertise,ensuring success, Creative
Industries Journal, 1.2, 195-196.
› Interview with Ed Wright, Creative Industries Journal, 4.1, 111-116.
› Practice-led research and the future of the creative industries, Creative
Industries Journal, 4.1, 5-17.
› Interview with Dan Pinchbeck, Creative Industries Journal, 4.1, 87-95.
› Interview with Elizabeth Grierson, Creative Industries Journal, 4.1, 97-110.
› Great Writing 2010, 1618 June 2010, 13th Annual International Creative
Writing Conference, United Kingdom, Journal of Writing in Creative
Practice, 3.3, 341-345.
› 'Do judge a book by its cover', Book 2.0, 1.1, 3-6.
Dew Harrison is a researcher and practitioner in virtual and
computermediated art currently working as Associate Dean in the
School of Art and Design at the University of Wolverhampton. With a
B.A. in Fine Art, an M.A. in History and Theory of Contemporary Art,
an M.Sc. in Computer Science and a Ph.D. from the Planetary
Collegium, CAiiA, in Interactive Art, her practice undertakes a critical
exploration of Conceptual Art, semantic media and intuitive interfaces
where she often work’s collaboratively and considers virtual curation
an art practice. She continues to show internationally and has over 50
publications to date spanning digital art, consciousness studies,
interactive games, art history and museology.
› A merging of mindsets through collision and collusion, Technoetic Arts: A
Journal of Speculative Research, 5.1, 55-.