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who's who in research visuAl Arts - Intellect

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legibility, d<strong>in</strong>e (Spr<strong>in</strong>g, 2007), Novum, Germany (April, 2008) and Étapes, France<br />

(May, 2008). He has won many awards with<strong>in</strong> the field of <strong>in</strong>formation<br />

book design and has exhibited work <strong>in</strong> the United K<strong>in</strong>gdom, United<br />

States, Germany and South Korea.<br />

Mirja Hiltunen<br />

University of Lapland, Faculty of Art<br />

& Design, Department of Art<br />

Education, Rovaniemi, PL 122,<br />

96101, F<strong>in</strong>land<br />

Keywords education, performative<br />

art, community, empowerment<br />

Claire H<strong>in</strong>d<br />

York St John University, Faculty of<br />

<strong>Arts</strong>, Lord Mayors Walk, York, YO31<br />

7EX, United K<strong>in</strong>gdom<br />

Keywords dark play, games,<br />

adaptation, performance, writ<strong>in</strong>g,<br />

adaptation<br />

› Sylexiad. A typeface for the adult dyslexic reader, Journal of Writ<strong>in</strong>g <strong>in</strong><br />

Creative Practice, 1.3, 275-291.<br />

Mirja Hiltunen (Doctor of <strong>Arts</strong>, M.Ed.) is a University Lecturer <strong>in</strong> Art<br />

Education <strong>in</strong> the Faculty of Art and design at the University of<br />

Lapland. She has devised a performative art strategy as part of her<br />

work <strong>in</strong> art teacher education and has been lead<strong>in</strong>g community-based<br />

art workshops and projects <strong>in</strong> Lapland for over ten years. She has<br />

recently completed her Ph.D. on community-based art-education <strong>in</strong> the<br />

northern sociocultural context. Her study comb<strong>in</strong>es concrete cultural<br />

activities, development of these activities through art education<br />

projects, and theoretical exam<strong>in</strong>ation of the subject area. The placespecificity,<br />

performativity and social dimensions of art are of particular<br />

<strong>in</strong>terest to her, and she has published numerous papers <strong>in</strong> this area.<br />

› The Fire Fox: a multi-sensory approach to art education <strong>in</strong> Lapland,<br />

International Journal of Education through Art, 1.2, 161-178.<br />

Claire H<strong>in</strong>d is a senior lecturer at York St John University where she<br />

specializes <strong>in</strong> conceptual performance practice, the ensemble and<br />

performance writ<strong>in</strong>g. She has a Ph.D. <strong>in</strong> practice led <strong>research</strong> from the<br />

University of Leeds and was supervised by Professor Mick Wallis and<br />

Dr. Anna Fenemore. Her work <strong>in</strong>vestigates the playful, ironic and<br />

psychoanalytical processes of mak<strong>in</strong>g live and mediated performance<br />

with<strong>in</strong> enclosed <strong>in</strong>timate spaces and works through the attitudes,<br />

encounters repetitions and drives of rehearsal. Claire has directed<br />

performance workshops <strong>in</strong> St. Petersburg, developed for over n<strong>in</strong>e<br />

years cross-cultural performance projects at the Sibiu International<br />

Theatre Festival Romania, has worked frequently <strong>in</strong> the United States<br />

as an artist and lecturer and most recently co-curated the <strong>in</strong>ternational<br />

Writ<strong>in</strong>g Encounters symposium at York St John University.<br />

› Editorial: Writ<strong>in</strong>g encounters with<strong>in</strong> performance and pedagogical practice,<br />

Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 2.1, 5-13.<br />

› Editorial: Space and place: writ<strong>in</strong>g encounters self, Journal of Writ<strong>in</strong>g <strong>in</strong><br />

Creative Practice, 2.2, 133-138.

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