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who's who in research visuAl Arts - Intellect

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Naren Barfield<br />

Glasgow School of Art, 167 Renfrew<br />

Street, Glasgow, G3 6RQ, United<br />

K<strong>in</strong>gdom<br />

Keywords art, digital art, pedagogy,<br />

spatial ontology<br />

Mart<strong>in</strong> Barker<br />

University of Aberystwyth,<br />

Department of Theatre, Film and TV,<br />

Penglais Campus, Aberystwyth,<br />

Ceredigion, SY23 3AJ, United<br />

K<strong>in</strong>gdom<br />

Keywords teach<strong>in</strong>g film, media<br />

literacy, vernacular concepts, moral<br />

controversies<br />

Nick Barnes<br />

Keywords participatory <strong>research</strong>,<br />

design, risk, new product<br />

development, creative companies<br />

Naren Barfield is an artist, and has held senior academic positions for<br />

several years <strong>in</strong>clud<strong>in</strong>g lead<strong>in</strong>g <strong>research</strong> <strong>in</strong> two specialist art and design<br />

<strong>in</strong>stitutions, currently as Head of Research and Postgraduate Studies,<br />

and Professor of Visual <strong>Arts</strong> at the Glasgow School of Art. He has<br />

ma<strong>in</strong>ta<strong>in</strong>ed an active profile over many years pr<strong>in</strong>cipally <strong>in</strong> the areas of<br />

f<strong>in</strong>e art and creative pedagogy. His <strong>research</strong> and professional practice<br />

ranges across art practice, theory, materials and curatorship, and<br />

<strong>in</strong>cludes publication of books, chapters and papers <strong>in</strong> refereed journals<br />

and exhibition catalogues; curatorship at venues <strong>in</strong>clud<strong>in</strong>g the Victoria<br />

and Albert Museum <strong>in</strong> London; more than 60 conference and public<br />

presentations worldwide s<strong>in</strong>ce 1991, and more than 80 <strong>in</strong>dividual and<br />

collaborative exhibitions s<strong>in</strong>ce 1987.<br />

› Spatial ontology and digital pr<strong>in</strong>t, Journal of Visual Art Practice, 2.1, 26-35.<br />

Mart<strong>in</strong> Barker is Professor of Film and Television Studies at the<br />

University of Wales, Aberystwyth. He is the author of a number of<br />

books, of which probably best-known is Ill Effects: the Media-Violence<br />

Debate (co-edited with Julian Petley). He was director of the major<br />

<strong>in</strong>ternational audience <strong>research</strong> project <strong>in</strong>to the reception of The Lord<br />

of the R<strong>in</strong>gs (2003-4) <strong>who</strong>se results were published (Watch<strong>in</strong>g The<br />

Lord of the R<strong>in</strong>gs) by Peter Lang <strong>in</strong> 2007. In 2007 he also directed a<br />

<strong>research</strong> project for the British Board of Film Classification <strong>in</strong>to<br />

audience responses to sexual violence on screen, <strong>who</strong>se outcomes can<br />

be found on their website.<br />

› Understand<strong>in</strong>g vernacular experiences of film <strong>in</strong> an academic environment,<br />

Art, Design & Communication <strong>in</strong> Higher Education, 4.1, 49-.<br />

Dr. Nick Barnes was Post-Doctoral Researcher at the Research Centre<br />

for Design and the Creative Industries at Birm<strong>in</strong>gham City University,<br />

Institute of Art and Design, where he worked primarily on the major<br />

AHRC <strong>research</strong> project concern<strong>in</strong>g Risk, Risk Perception and Design.<br />

Nick’s doctorate was <strong>in</strong> environmental management and he has worked<br />

on several post-doctoral <strong>research</strong> projects, <strong>in</strong>clud<strong>in</strong>g a large EU-funded<br />

project exam<strong>in</strong><strong>in</strong>g risk and <strong>in</strong>novation <strong>in</strong> the development of new<br />

products and technologies <strong>in</strong> the biotechnology sector. Nick has<br />

academic work published <strong>in</strong> the fields of design management and<br />

<strong>in</strong>novation policy; he currently operates his own <strong>research</strong> and<br />

development practice undertak<strong>in</strong>g projects on behalf of a variety of<br />

private, public and third sector organizations.

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