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who's who in research visuAl Arts - Intellect

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Nott<strong>in</strong>gham, NG1 4BU, United<br />

K<strong>in</strong>gdom<br />

Keywords pr<strong>in</strong>ted textile, fashion<br />

design, digital technologies, digital<br />

craft<br />

Sarah Tremlett<br />

Chelsea College of Art and Design, 8<br />

Foxcombe Road, Bath, BA1 3ED,<br />

United K<strong>in</strong>gdom<br />

Keywords matternal narrative,nontraditional,subtitlepoetry,freezeframes,video<br />

pa<strong>in</strong>t<strong>in</strong>g<br />

Nicholas Tresilian<br />

Calle Antonio Machado 1, Las<br />

P<strong>in</strong>edas, Cordoba, 14111, Spa<strong>in</strong><br />

Keywords evolution, agility,<br />

punctuated, gradual, open/closed<br />

consciousness<br />

perspective through the <strong>in</strong>tegration of hand and digital technologies.<br />

The study was <strong>in</strong>formed by her early career <strong>in</strong> the <strong>in</strong>dustry, where she<br />

worked as a designer-maker. Her postdoctoral <strong>research</strong> is focused on<br />

the materiality of digital craft approaches; how disparate technologies<br />

can be synthesized <strong>in</strong> <strong>in</strong>novative ways. Kather<strong>in</strong>e has presented<br />

lectures, published papers and exhibited her work <strong>in</strong>ternationally. She<br />

is a member of the Bon<strong>in</strong>gton Gallery curatorial board <strong>in</strong> the School of<br />

Art and Design, and <strong>in</strong>volved <strong>in</strong> the organization and curation of<br />

<strong>research</strong> exhibitions<br />

› Reviews, Craft Research, 1.1, 160-166.<br />

› Editorial, Craft Research, 1.1, 3-10.<br />

› Expand<strong>in</strong>g craft: Reapprais<strong>in</strong>g the value of skill, Craft Research, 2.1, 3-10.<br />

Sarah Tremlett is a video artist/poet and Ph.D. candidate at Chelsea<br />

College of Art and Design study<strong>in</strong>g subjectivity <strong>in</strong> text-based art. She<br />

was <strong>in</strong>volved <strong>in</strong> Consciousness Reframed IX, where, <strong>in</strong>fluenced by<br />

Karen Barad’s theories of agential realism, she <strong>in</strong>troduced the term<br />

‘matternal theory of practice’, which seeks to remove the <strong>in</strong>herited<br />

post-Socratic western dualities between text or form and matter. 2009<br />

conferences and exhibitions: Topographies, Sites, Bodies,<br />

Technologies, Stanford University; solo show – Cultural<br />

Communication Centre, Klaipeda, Lithuania; The Text Festival, Bury,<br />

England; Videoformat – National Centre for Contemporary <strong>Arts</strong>,<br />

Moscow. 2010 conferences and exhibitions: Fabrika Project Space,<br />

Moscow; Loop, Barcelona; Poetry and Voice conference, Chichester<br />

University.<br />

› Some everybodies design and non-dualist filmic experience, Technoetic<br />

<strong>Arts</strong>: A Journal of Speculative Research, 8.2, 139-147.<br />

Nicholas Tresilian MA, F.R.S.A., is an art historian, broadcaster and<br />

found<strong>in</strong>g director of UK media PLCs <strong>in</strong> the United K<strong>in</strong>gdom and<br />

Europe. He was for many years a director of Artist Placement Group<br />

and its successor Organisation and Imag<strong>in</strong>ation pioneers <strong>in</strong> the<br />

placement of artists with<strong>in</strong> government organisations. He has made<br />

films for BBC2 on Peter Blake, Richard Smith and Joe Tilson. He<br />

wrote the bid for Classic FM and broadcast for the station for ten years.<br />

He is currently Vice-President of the US-based International Society<br />

for the Study of Time. He lectures and writes on the relationship<br />

between art-history and cultural evolution. He lives <strong>in</strong> Bath <strong>in</strong> the

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