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who's who in research visuAl Arts - Intellect

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Andrea Polli<br />

IFDM c/o College of F<strong>in</strong>e <strong>Arts</strong>, UNM<br />

Center for the <strong>Arts</strong>, Bldg 62, MSC04-<br />

2570, NM 87131, United States of<br />

America<br />

Keywords geography, locative<br />

media, meteorology, sonification,<br />

visualization<br />

Griselda Pollock<br />

University of Leeds, AHRC Centre<br />

CATH, Leeds, West Yorkshire, LS2<br />

9JT, United K<strong>in</strong>gdom<br />

Keywords natal memory, Zulu, Irma<br />

Stern, Charlotte Salomon, memorymapp<strong>in</strong>g<br />

Jo Pond<br />

Birm<strong>in</strong>gham City University, School<br />

of Jewellery, Birm<strong>in</strong>gham Institute of<br />

Art & Design, Vittoria Street,<br />

Birm<strong>in</strong>gham, B1 3PA, United<br />

K<strong>in</strong>gdom<br />

› Hampstead Revisited, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 2.3, 301-325.<br />

Andrea Polli is a digital media artist liv<strong>in</strong>g <strong>in</strong> New York City. She is<br />

currently an Associate Professor of Film and Media and Director of the<br />

MFA Program <strong>in</strong> Integrated Media Art at Hunter College. Polli’s work<br />

addresses issues related to science and technology <strong>in</strong> contemporary<br />

society. She has presented work nationally and <strong>in</strong>ternationally and is<br />

currently work<strong>in</strong>g <strong>in</strong> collaboration with a number of scientists to<br />

develop systems for understand<strong>in</strong>g storms and climate through sound.<br />

For this work, she has been recognized by the UNESCO Digital <strong>Arts</strong><br />

Award 2003 and has presented work <strong>in</strong> the 2004 Ogaki Biennale <strong>in</strong><br />

Gifu, Japan and at the World Summit on the Information Society <strong>in</strong><br />

Geneva, Switzerland.<br />

› Eco-media: art <strong>in</strong>formed by developments <strong>in</strong> ecology, media technology and<br />

environmental science, Technoetic <strong>Arts</strong>: A Journal of Speculative Research,<br />

5.3, 187-.<br />

Griselda Pollock is Professor of Social and Critical Histories of Art and<br />

Director of AHRC Centre CATH at the University of Leeds. She<br />

specializes <strong>in</strong> cultural analysis and fem<strong>in</strong>ist postcolonial <strong>in</strong>terventions<br />

<strong>in</strong> art’s histories with particular reference to psychoanalysis and<br />

aesthetics. Her forthcom<strong>in</strong>g books <strong>in</strong>clude Theatre of Memory:<br />

Charlotte Salomon (Yale) and Encounters <strong>in</strong> the Virtual Fem<strong>in</strong>ist<br />

Museum (Routledge).<br />

› Back to Africa: from Natal to natal <strong>in</strong> the locations of memory, Journal of<br />

Visual Art Practice, 5.1, 49-72.<br />

After work<strong>in</strong>g at Loughborough University as a Technical Instructor,<br />

Jo Pond returned to education, graduat<strong>in</strong>g <strong>in</strong> 2005 with an MA<br />

dist<strong>in</strong>ction <strong>in</strong> Jewellery, Silversmith<strong>in</strong>g & Related Products, from the<br />

School of Jewellery, Birm<strong>in</strong>gham. She subsequently won the 2005 BDI<br />

Industry & Genius Awards for ‘Products and Genius’. Alongside her<br />

practice as a studio jeweller, Jo now works as a lecturer at the School<br />

of Jewellery and is a member of Contemporary Applied <strong>Arts</strong>.

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