who's who in research visuAl Arts - Intellect

Andrés Romero-Jódar
University of Zaragoza,
Departamento de Filologia Inglesa y
Alemana, C/ Pedro Cerbuna, 12,
Zaragoza, 50009, Spain
Keywords Alan Moore, comic book,
graphic novel, avant-gardes,
postmodernism, Bertolt Brecht
Simon Roodhouse
Keywords workforce development,
vocational qualifications, higher
education, qualifications, connectivity
Toni Ross
University of New South Wales,
College of Fine Arts, School of Art
History and Theory, PO Box 259,
Paddington, New South Wales, 2021,
Australia
Andrés Romero-Jódar holds a BA and an MA in English Philology,
and a BA in Spanish Philology from the University of Zaragoza
(Spain). He is a Research Fellow in the Department of English and
German Philology of the University of Zaragoza, and is part of the
research group entitled ‘Contemporary Narrative in English’. He is
currently working on his doctoral thesis on sequential art, iconical
genres and representation of trauma in graphic novels in English, and
has published on these and related subjects in academic journals such
as Atlantis, Estudios Ingleses de la Universidad Complutense, Revista
Canaria de Estudios Ingleses, Revista Alicantina de Estudios Ingleses,
Revista de Literatura and Tropelías.
› A hammer to shape reality: Alan Moore’s graphic novels and the avantgardes,
Studies in Comics, 2.1, 39-56.
› Editorial, Creative Industries Journal, 1.1, 5-6.
› Editorial, Creative Industries Journal, 1.2, 89-90.
› Realizing capabilities – academic creativity and the creative industries,
Creative Industries Journal, 1.2, 137-150.
› Editorial, Creative Industries Journal, 1.3, 207-209.
› Editorial, Creative Industries Journal, 2.1, 5-7.
› Editorial, Creative Industries Journal, 2.2, 127-128.
› Editorial, Creative Industries Journal, 2.3, 215-216.
› Editorials, Creative Industries Journal, 3.1, 3-4.
› Editorial, Creative Industries Journal, 3.2, 105-106.
› EDITORIAL, Creative Industries Journal, 3.3, 181-.
› EDITORIAL, Creative Industries Journal, 4.1, 3-3.
Dr. Toni Ross is Senior Lecturer in Art History and Theory at College
of Fine Arts, University of New South Wales. She co-edited (with Jill
Beaulieu & Mary Roberts) Refracting Vision: essays on the writings of
Michael Fried (2000), and her recent research is focused on political
theory in contemporary art, with a particular emphasis on the thinking
of aesthetics and politics developed by philosopher Jacques Rancière.
Her current research projects include studies of the politics of