who's who in research visuAl Arts - Intellect

Mark A. Bedau
Reed College, 3203 SE Woodstock
Blvd., Portland, OR, 97202-8199,
United States of America
Keywords protocell, synthetic
biology, World Wide Web,
autonomous agent, robot
Honor Beddard
Raven Row, London
Keywords
Amanda Beech
University of Kent, Fine Art, Jarman
Building, Canterbury, Kent, CT2
7UG, United Kingdom
Keywords knowledge, law,
recognition, subject, tragic
› Curatorial Studies on the Edge: The Ghetto Biennale, a Junkyard, and the
Performance of Possibility, Journal of Curatorial Studies, 1.1, 65-81.
Mark Bedau is Professor of Philosophy and Humanities at Reed
College, Adjunct Professor of Systems Science at Portland State
University, Editor-in-Chief of the journal Artificial Life, co-founder of
the European Centre for Living Technology, co-organizer of the Tenth
International Conference on the Simulation and Synthesis of Living
Systems, Head of the Initiative for Science, Society and Policy at the
Southern University of Denmark and a PI in the EU FP6 project
Programmable Artificial Cell Evolution (PACE).
› Living technology today and tomorrow, Technoetic Arts: A Journal of
Speculative Research, 7.2, 199-206.
Honor Beddard is a curator. She lives and works in London.
› Hilary Lloyd, Moving Image Review & Art Journal MIRAJ, 1.1, 115-119.
Dr Amanda Beech is an artist and writer. Recent exhibitions include
'The Real Thing', Tate Britain, London, 'Sanity Assassin', Spike Island,
Bristol and 'Greetings Comrades, the Image Has Now Changed its
Status', Occular Lab, Melbourne. She is Contributing Editor of 'Sanity
Assassin' (2010) and 'Episode: Pleasure and Persuasion in Lens-based
Media' (2008). She is Co-director of the research group Curating Video
and a steering committee member of the research group The Political
Currency of Art (PoCA). She is Professor in Fine Art at the University
of Kent.
› Don't fight it: the embodiment of critique, Journal of Visual Art Practice,
6.1, 61-72.
› Curatorial futures with the image: Overcoming scepticism and unbinding the
relational, Journal of Visual Art Practice, 9.2, 139-151.