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who's who in research visuAl Arts - Intellect

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United K<strong>in</strong>gdom<br />

Keywords creative bus<strong>in</strong>ess park,<br />

creative management, urban study,<br />

<strong>in</strong>dustrial heritage, Ch<strong>in</strong>ese culture<br />

Karen Yair<br />

Keywords cultural policy, craft,<br />

glass-mak<strong>in</strong>g<br />

Liu Yan<br />

United K<strong>in</strong>gdom<br />

Keywords creative bus<strong>in</strong>ess park,<br />

creative management, urban study,<br />

<strong>in</strong>dustrial heritage, Ch<strong>in</strong>ese culture<br />

College London (United K<strong>in</strong>gdom). Chen Xu has worked with the<br />

lead<strong>in</strong>g creative economist John Howk<strong>in</strong>s as the Country Manager<br />

(Ch<strong>in</strong>a) s<strong>in</strong>ce 2006 and later jo<strong>in</strong>ed BOP Consult<strong>in</strong>g to help to<br />

implement the company’s <strong>in</strong>ternational <strong>research</strong> and consult<strong>in</strong>g<br />

projects. She is now a co-founder of Shanghai 3S Creative<br />

Management and an associate of BOP Consult<strong>in</strong>g. Chen Xu worked as<br />

a <strong>research</strong>er on the revision of John Howk<strong>in</strong>s’s book on the global<br />

creative economy. She has also worked with Film London, <strong>Arts</strong> &<br />

Bus<strong>in</strong>ess and Ch<strong>in</strong>a Shanghai International <strong>Arts</strong> Festival.<br />

› Ecstaquarter on Huang Pu River: an <strong>in</strong>terview with the director of one of<br />

Shanghai's most <strong>in</strong>novative creative clusters, Creative Industries Journal,<br />

1.3, 275-282.<br />

Dr. Karen Yair is an <strong>in</strong>dependent consultant with experience <strong>in</strong> a range<br />

of <strong>research</strong> and cultural policy roles. Initially tra<strong>in</strong>ed as a glass maker,<br />

Karen’s doctoral <strong>research</strong> explored the craft – design dynamic through<br />

the experiences of makers and <strong>in</strong>dustrial manufactur<strong>in</strong>g companies<br />

engaged <strong>in</strong> new product development. Karen participated <strong>in</strong> the ICDHS<br />

2010 Conference <strong>in</strong> her capacity as Research and Information Manager<br />

at the UK Crafts Council, a role she held between 2008 and 2010.<br />

Karen is co-author of Mak<strong>in</strong>g Value: craft & and the economic and<br />

social contribution of makers and a number of peer-reviewed<br />

publications.<br />

› CONFERENCE REVIEWS, Craft Research, 2.1, 185-194.<br />

Liu Yan, MA studied <strong>Arts</strong> and Media Management at the Utrecht<br />

School of <strong>Arts</strong> (the Netherlands) and holds a postgraduate diploma <strong>in</strong><br />

market<strong>in</strong>g from the CharteredInstitute of Market<strong>in</strong>g (London). Liu Yan<br />

is a cultural entrepreneur <strong>who</strong> co-founded Shanghai 3S Creative<br />

Management and Da-Tong Ch<strong>in</strong>a Desk Creative Industry, which<br />

provide professional services and co-work<strong>in</strong>g office space to creative<br />

professionals, entrepreneurs and organizations to establish<br />

collaboration <strong>in</strong> Ch<strong>in</strong>a. Liu Yan has been a guest lecturer and<br />

consultant <strong>in</strong> the creative <strong>in</strong>dustry and cluster<strong>in</strong>g, arts market<strong>in</strong>g and<br />

audience development for several Ch<strong>in</strong>ese and Dutch art academies and<br />

art organizations. Prior to her career <strong>in</strong> the art and culture sector, she<br />

worked for six years <strong>in</strong> Shanghai as an account director of Pathways<br />

market<strong>in</strong>g consultancy.

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