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who's who in research visuAl Arts - Intellect

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Keywords liv<strong>in</strong>g architecture, green<br />

architecture, susta<strong>in</strong>ability, climate<br />

adaptation and mitigation, systems<br />

architecture<br />

Jennifer Kanary<br />

Nikolov(a)<br />

University of Amsterdam,<br />

Krommenieerpad 88, 1521 HB<br />

Wormerveer, Amsterdam,<br />

Netherlands<br />

Keywords art <strong>research</strong>, physics of<br />

thought, <strong>in</strong>dependent artist<br />

Nithikul Nimkulrat<br />

Loughborough University, School of<br />

the <strong>Arts</strong>, Loughborough,<br />

Leicestershire, LE11 3 TU, United<br />

K<strong>in</strong>gdom<br />

Keywords reflective practice,<br />

practice-led <strong>research</strong>, expressivity,<br />

materiality, textiles, crafts<br />

from the University of Copenhagen (UoC) <strong>in</strong> 1978 and a Ph.D. <strong>in</strong><br />

Atmospheric Chemistry from UoC <strong>in</strong> 1984. His <strong>research</strong> <strong>in</strong>terests<br />

<strong>in</strong>clude atmospheric chemistry and hence the environmental impact of<br />

CFC replacement compounds and of oxygenated species, fundamental<br />

k<strong>in</strong>etics and mechanisms of reactions important <strong>in</strong> atmospheric and<br />

combustion chemistry, determ<strong>in</strong>ation of the environmental impact of<br />

anthropogenic and natural emissions – out-door as well as <strong>in</strong>-door<br />

chemistry, atmospheric particulates, air pollution chemistry and global<br />

change.<br />

› The nautilus – evolv<strong>in</strong>g architecture and city landscapes for future<br />

susta<strong>in</strong>able development, Technoetic <strong>Arts</strong>: A Journal of Speculative<br />

Research, 7.2, 105-115.<br />

The <strong>in</strong>dependent artist Jennifer Kanary Nikolov(a) studied fashion<br />

design from 1994 to 1998 before graduat<strong>in</strong>g with the first version of<br />

roomforthoughts from the f<strong>in</strong>e arts department of the Maastricht Art<br />

Academy <strong>in</strong> 2000.She cont<strong>in</strong>ued with a Master’s programme at the<br />

Sandberg Institute <strong>in</strong> Amsterdam, which she completed <strong>in</strong> 2002.<br />

Afterwards, she was <strong>in</strong>vited to participate <strong>in</strong> the first experimental<br />

curat<strong>in</strong>g course <strong>in</strong>itiated by the University of Amsterdam and the<br />

Sandberg Institute. Jennifer has participated <strong>in</strong> several art and science<br />

projects such as Battle of the Universities, Kloone4000 and<br />

Discovery07. From November 2007 to April 2008, she has been artist<strong>in</strong>residence<br />

at the National Psychiatry Museum <strong>in</strong> Haarlem, the<br />

Netherlands. S<strong>in</strong>ce 2008, she is the head tutor of the Honours Program<br />

Art and Research of the University of Amsterdam and the Gerrit<br />

Rietveld Academie Amsterdam. All her <strong>in</strong>stallations are about the<br />

physics of thought.<br />

› Halluc<strong>in</strong>ations, an existential crisis?, Metaverse Creativity, 1.2, 197-206.<br />

Nithikul Nimkulrat is a Thai textile artist, designer and <strong>research</strong>er,<br />

currently work<strong>in</strong>g as a Lecturer at the Loughborough University <strong>in</strong> the<br />

UK. She earned a Doctor of <strong>Arts</strong> Degree from the University of Art<br />

and Design Hels<strong>in</strong>ki <strong>in</strong> 2009. Her <strong>research</strong> <strong>in</strong>terest is rooted <strong>in</strong> her<br />

textile practice, reach<strong>in</strong>g across conceptual issues <strong>in</strong> art and design,<br />

especially the role of creative practice <strong>in</strong> academic <strong>research</strong> and the<br />

immateriality of physical materials <strong>in</strong> creative processes. Hav<strong>in</strong>g<br />

situated her work at the <strong>in</strong>tersection of art and design, and at that of the<br />

academic and art worlds, her creative artefacts have received awards<br />

and have been exhibited <strong>in</strong>ternationally, while her <strong>research</strong> has been

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