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who's who in research visuAl Arts - Intellect

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Toni Ryynänen<br />

University of Hels<strong>in</strong>ki,<br />

Latokartanonkaari 9, PB27, 14,<br />

F<strong>in</strong>land<br />

Keywords media, design, consumer<br />

culture<br />

Alexandra Saemmer<br />

University Paris 8<br />

Keywords digital media, digital<br />

literature, digital art<br />

Olivia Sagan<br />

University of the <strong>Arts</strong>, London, The<br />

› Ritualiz<strong>in</strong>g <strong>in</strong>teractive media: from motivation to activation, Technoetic <strong>Arts</strong>:<br />

A Journal of Speculative Research, 3.2, 105-124.<br />

› Search<strong>in</strong>g for love impossible, Technoetic <strong>Arts</strong>: A Journal of Speculative<br />

Research, 8.2, 229-236.<br />

› Virtual puppet, my love impossible, Metaverse Creativity, 1.1, 115-127.<br />

Toni Ryynänen is a consumer economist and postdoctoral <strong>research</strong>er<br />

<strong>who</strong> works at the University of Hels<strong>in</strong>ki <strong>in</strong> the Department of<br />

Economics and Management. He holds a D.Sc. <strong>in</strong> Consumer<br />

Economics. His <strong>research</strong> <strong>in</strong>terests focus on media and design studies<br />

and consumer culture <strong>research</strong>.<br />

› Craft <strong>in</strong> economic context: The representation of F<strong>in</strong>nish craft <strong>in</strong> the<br />

economic press, Craft Research, 2.1, 115-127.<br />

Alexandra Saemmer is Associate Professor of Information and<br />

Communication Sciences at University Paris 8. Her current <strong>research</strong><br />

projects focus on semiotics and aesthetics of digital media, and read<strong>in</strong>g<br />

and writ<strong>in</strong>g on digital supports. She is author and editor of several<br />

books and articles on digital literature and arts. Her books <strong>in</strong>clude<br />

Matières textuelles sur support numérique (Publications de l’Université<br />

de Sa<strong>in</strong>t-Etienne, 2007), E-Formes 2 : Les littératures et arts<br />

numérique sau risque du jeu (2011, co-editor, Publications de<br />

l’Université de Sa<strong>in</strong>t-Etienne); and E-Formes 1 : Ecritures visuelles sur<br />

support numérique (2008, co-editor, Publications de l’Université de<br />

Sa<strong>in</strong>t-Etienne). She also writes ‘paper’ poetry and fiction <strong>in</strong> German<br />

(recently, ‘Das H<strong>in</strong>terhaus’/'The rear build<strong>in</strong>g', 'Neuerd<strong>in</strong>gs weiß ich<br />

viel mehr'/'Recently I know much more', textem, 2010).<br />

› Writ<strong>in</strong>g the ephemeral […] and re-enchant<strong>in</strong>g the remnants: The lability of<br />

the digital device <strong>in</strong> literary practice, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice,<br />

4.1, 79-92.<br />

Dr. Olivia Sagan is Senior Research Fellow (Pedagogy) at the<br />

University of the <strong>Arts</strong>, London. She is <strong>in</strong>terested <strong>in</strong> the <strong>in</strong>terface of<br />

formal and community-based education and her <strong>research</strong> questions the

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