who's who in research visuAl Arts - Intellect

Richard Woodfield
Keywords research-based imagery,
Mark Walport, critical response,
disseminating research
Paul Woodrow
Keywords hypermorphism, parallaxic
remix, bioelectrical body,
technologized body, visualizing the
invisible
Trish Woods
South Devon College, Art, design &
media, 15 Pennsylvania Road,
Torquay, Devon, TQ1 1NX, United
Kingdom
Keywords patination, collaboration,
industry, science, craft
Richard Woodfield is Emeritus Professor of Asethetics and Art Theory
at Nottingham Trent University. Prior to retirement he was School
Research Professor for the Nottingham Trent School of Art and Design
and Chair of relevant committees. Prior to that, and for many years, he
had been in charge of the School’s programme of cultural studies. His
special research interests are in art historiography and art theory,
particularly in the theory of the image. He is currently working on the
Vienna School of Art History in the context of its contemporary
philosophy and psychology. He is also interested in the history of art
theory and the emergence of aesthetics in eighteenth-century Britain.
His current interest in this area is the English reception of Leonardo’s
Trattato della Pittura. Having completed books on Riegl and Warburg
he is now engaged in a book on German philosophy and art
historiography.
› Editorial, Journal of Visual Art Practice, 2.3, 116-118.
› Editorial, Journal of Visual Art Practice, 3.1, 3-6.
› Editorial, Journal of Visual Art Practice, 3.3, 163-164.
Paul Woodrow is Professor of Fine Arts, Department of Art, University
of Calgary, Canada. Paul's work in Art Theory complements his
creative work, which can be seen in collections ranging from Tate
Gallery in London, the Canada Council Art Bank, and Radio Vision
Inc. of Los Angeles. In the past few years, Paul has lectured at Karlstad
University in Sweden and the Royal College of Art (2000), the The
University of Western Sydney, Australia (1998), the University of
Wales and the Chicago Art Institute (1977), and at the First Congress
of Virtual Reality, and the University of Valencia, in Spain (1995).
› Electric flesh - the electromagnetic medium, Technoetic Arts: A Journal of
Speculative Research, 3.3, 155-168.
Trish Woods is a teacher and metal-smith. She studied jewellery and
silversmithing at Loughborough University and was Head of Metals at
the Appalachian Centre for Craft, United States. She is currently a fulltime
lecturer in Three Dimensional Design and Design History at South
Devon College and is studying for a Ph.D. in Design at the University
of Plymouth, researching processes for colouring tin and pewter and
applying these to new design products for the pewter industry. She has
presented numerous papers on the potential for colour on tin and
pewter, and continues to exhibit her work as a designer-maker.