04.01.2013 Views

who's who in research visuAl Arts - Intellect

who's who in research visuAl Arts - Intellect

who's who in research visuAl Arts - Intellect

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Alissa Clarke<br />

De Montfort University, Department<br />

of Performance and Digital <strong>Arts</strong>,<br />

Faculty of Humanities, Clephan<br />

Build<strong>in</strong>g, Leicester, Leicestershire,<br />

LE1 9BH, United K<strong>in</strong>gdom<br />

Keywords psychophysical, performer<br />

tra<strong>in</strong><strong>in</strong>g, Phillip Zarrilli, Sandra<br />

Reeve, mistakes/failure<br />

James Edward Clayson<br />

American University of Paris, 85, rue<br />

de Mauberge, Paris, 7510, France<br />

Keywords constructionism, liberal<br />

arts, logo, visual th<strong>in</strong>k<strong>in</strong>g, visual<br />

model<strong>in</strong>g<br />

Kyushu University, Japan. He has published widely <strong>in</strong> the fields of<br />

phenomenology, hermeneutics, ethics, education, art studies, dialogical<br />

philosophy, French poststructuralism and the Kyoto School. He is the<br />

found<strong>in</strong>g chief editor of Culture and, with Arto Haapala, of the journal<br />

of philosophy<br />

› Beyond the <strong>in</strong>stitutional site and the ethos of the void: the relevance of<br />

Gabriel Marcel's Creative Fidelity, Journal of Visual Art Practice, 4.2, 167-<br />

176.<br />

Alissa Clarke has recently completed her AHRC-funded Ph.D. <strong>in</strong> the<br />

Department of Drama at the University of Exeter where she has also<br />

been work<strong>in</strong>g as a teach<strong>in</strong>g assistant. Her thesis is entitled ‘Writ<strong>in</strong>g<br />

through the Body: Explor<strong>in</strong>g Embodied Performative Processes of<br />

Writ<strong>in</strong>g About Psychophysical Performer Tra<strong>in</strong><strong>in</strong>gs’. Alissa has been<br />

practis<strong>in</strong>g Phillip Zarrilli’s psychophysical performer tra<strong>in</strong><strong>in</strong>g s<strong>in</strong>ce<br />

2002, and has been <strong>in</strong>volved with Sandra Reeve’s ‘Move <strong>in</strong>to Life’<br />

work s<strong>in</strong>ce 2005. Her <strong>research</strong> <strong>in</strong>terests <strong>in</strong>clude: psychophysical<br />

performance and performer tra<strong>in</strong><strong>in</strong>g, fem<strong>in</strong>ist and gender theory and<br />

performance practice, and documentation of performance.<br />

› ‘Advance error by error, with err<strong>in</strong>g steps’: embrac<strong>in</strong>g and explor<strong>in</strong>g<br />

mistakes and failure across the psychophysical performer tra<strong>in</strong><strong>in</strong>g space and<br />

the page1, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 2.2, 193-208.<br />

James Clayson has been Professor of Applied Mathematics at the<br />

American University of Paris for 25 years. He has also taught at the<br />

Paris campus of Parsons School of Design and co-directed the Lacoste<br />

School of Art <strong>in</strong> the south of France for many years. He discovered<br />

teach<strong>in</strong>g after hav<strong>in</strong>g had a career <strong>in</strong> management consult<strong>in</strong>g and<br />

operational <strong>research</strong> <strong>in</strong> California. He is <strong>in</strong>terested <strong>in</strong> develop<strong>in</strong>g<br />

undergraduate courses that <strong>in</strong>tegrate visual th<strong>in</strong>k<strong>in</strong>g, computer<br />

explorations, public speak<strong>in</strong>g and journal writ<strong>in</strong>g <strong>in</strong>to traditional<br />

mathematics courses. In addition he is an advocate of George Kelly’s<br />

Personal Construct Psychology and uses constructionist approaches to<br />

build a common language and learn<strong>in</strong>g community with<strong>in</strong> his<br />

classroom. The shared build<strong>in</strong>g experience is especially mean<strong>in</strong>gful<br />

where students come from more than 100 different countries, speak a<br />

great number of languages and have passed through many different<br />

k<strong>in</strong>ds of educational <strong>in</strong>stitutions.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!