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who's who in research visuAl Arts - Intellect

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Erik Bohemia<br />

Northumbria University, School of<br />

Design, Newcastle upon Tyne, NE1<br />

8ST, United K<strong>in</strong>gdom<br />

Keywords assessment for learn<strong>in</strong>g,<br />

design pedagogy, Global Studio,<br />

educational discourses, collaborative<br />

learn<strong>in</strong>g<br />

Rose Bond<br />

Pacific Northwest College of Art,<br />

Portland, Oregon, United States of<br />

America<br />

Keywords animation, <strong>in</strong>stallation,<br />

poetics<br />

Erik Borg<br />

Coventry University, Centre for<br />

Academic Writ<strong>in</strong>g, Gosford Street,<br />

Coventry, West Midlands, CV1 5DD,<br />

United K<strong>in</strong>gdom<br />

Keywords <strong>in</strong>ternally persuasive<br />

writ<strong>in</strong>g, contextual studies, art<br />

education, design education<br />

Erik Bohemia is a Reader <strong>in</strong> Three Dimensional Design Studies at the<br />

School of Design, Northumbria University, United K<strong>in</strong>gdom. As a<br />

Researcher and an Educator <strong>in</strong> the field of design, he is <strong>in</strong>terested <strong>in</strong> the<br />

skills and competencies of designers and the match between these and<br />

<strong>in</strong>dustry requirements. The results from his <strong>research</strong> <strong>in</strong> this area have<br />

been used to guide the development of curriculum <strong>in</strong> design so that<br />

future graduates may more effectively fulfil <strong>in</strong>dustry requirements. Dr.<br />

Bohemia’s current <strong>research</strong> focus is on global product design<br />

development processes and its impact on the design profession. His<br />

<strong>research</strong> has been published <strong>in</strong> <strong>in</strong>ternational journals and conferences.<br />

› Intersections: The utility of an ‘Assessment for Learn<strong>in</strong>g’ discourse for<br />

Design educators, Art, Design & Communication <strong>in</strong> Higher Education, 8.2,<br />

123-134.<br />

Rose Bond lectures <strong>in</strong> Mov<strong>in</strong>g Image <strong>Arts</strong> at the Pacific Northwest<br />

College of Art <strong>in</strong> Portland, Oregon. She has shown films at the<br />

Sundance and New York International Film Festivals, and is a recipient<br />

of an AFI film grant. She produces films us<strong>in</strong>g a mix of digital and<br />

hand-drawn animation.<br />

› Poetics and public space: an <strong>in</strong>vestigation <strong>in</strong>to animated <strong>in</strong>stallation,<br />

Animation Practice, Process & Production, 1.1, 65-76.<br />

Erik works <strong>in</strong> the Centre for Academic Writ<strong>in</strong>g (CAW) at Coventry<br />

University <strong>in</strong> the United K<strong>in</strong>gdom. He works <strong>in</strong> a consultancy role with<br />

staff <strong>in</strong> the discipl<strong>in</strong>es to cascade strategies for teach<strong>in</strong>g Academic<br />

Writ<strong>in</strong>g, and he offers advice to colleagues on their own scholarly<br />

writ<strong>in</strong>g. He was formerly a Lecturer <strong>in</strong> Applied L<strong>in</strong>guistics at<br />

Northumbria University and has also taught at universities <strong>in</strong> Ch<strong>in</strong>a and<br />

Oman. He has Master’s degrees <strong>in</strong> English literature from the<br />

University of Chicago and <strong>in</strong> TESOL from the University of Leeds. His<br />

current Ph.D. <strong>research</strong> explores the role of writ<strong>in</strong>g <strong>in</strong> F<strong>in</strong>e <strong>Arts</strong> Practice<br />

and Design, and he is study<strong>in</strong>g the process of learn<strong>in</strong>g to write at Ph.D.<br />

level <strong>in</strong> these discipl<strong>in</strong>es. Erik has published articles <strong>in</strong> Art, Design and<br />

Communication <strong>in</strong> Higher Education, ELT Journal and the Journal of<br />

English for Academic Purposes<br />

› Internally persuasive writ<strong>in</strong>g <strong>in</strong> F<strong>in</strong>e <strong>Arts</strong> Practice, Art, Design &<br />

Communication <strong>in</strong> Higher Education, 3.3, 193-.<br />

› Writ<strong>in</strong>g <strong>in</strong> f<strong>in</strong>e arts and design education <strong>in</strong> context, Journal of Writ<strong>in</strong>g <strong>in</strong>

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