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who's who in research visuAl Arts - Intellect

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Plann<strong>in</strong>g and Landscape Architecture,<br />

168 C Lee Hall, Box 340511, SC,<br />

29634-0511, United States of<br />

America<br />

Keywords landscape architecture,<br />

design, culture, Islam, globalization<br />

Santiago Navarro<br />

Universidad de Sevilla, Faculty of<br />

F<strong>in</strong>e <strong>Arts</strong>, Seville<br />

Keywords Alzheimer's disease,<br />

sculpture, <strong>in</strong>terdiscipl<strong>in</strong>ary <strong>research</strong><br />

Joseph Nechvatal<br />

School of Visual <strong>Arts</strong>, MFA<br />

Computer <strong>Arts</strong>, 143 Ludlow Street<br />

#14, New York, Manhattan, 10002,<br />

United States of America<br />

Keywords immersive, excess, deep,<br />

space, Apse of Lascaux,<br />

University <strong>in</strong> Cairo, Egypt, and Master of Agricultural sciences <strong>in</strong><br />

Landscape Design from Pennsylvania State University. She is a<br />

found<strong>in</strong>g pr<strong>in</strong>cipal and CEO of HewittNassar Studio. Dr. Nassar served<br />

as a faculty member at A<strong>in</strong> Shams University while practic<strong>in</strong>g at<br />

COPA and ESEI <strong>in</strong> Cairo before arriv<strong>in</strong>g <strong>in</strong> the United States <strong>in</strong> 1996.<br />

Orig<strong>in</strong>ally from Egypt, Dr. Nassar br<strong>in</strong>gs her broad <strong>in</strong>ternational<br />

understand<strong>in</strong>g of design and culture <strong>in</strong>to her practice, <strong>research</strong> and<br />

teach<strong>in</strong>g. Her <strong>research</strong> and practice <strong>in</strong>terests <strong>in</strong>clude historical and<br />

cultural landscapes, Islamic landscape tradition, <strong>in</strong>ternational<br />

education, multiculturalism and the effects of globalization on<br />

landscape change.<br />

› Social justice agency <strong>in</strong> the landscape architecture studio: an action <strong>research</strong><br />

approach, Art, Design & Communication <strong>in</strong> Higher Education, 7.2, 91-103.<br />

S<strong>in</strong>ce 2007 Santiago Navarro has been Vicedecano de Relaciones<br />

Internacionales (International Officer) <strong>in</strong> the Faculty of F<strong>in</strong>e <strong>Arts</strong>,<br />

Universidad de Sevilla. He studied F<strong>in</strong>e <strong>Arts</strong> at the Universidad de<br />

Sevilla from 1989 to 1994. Between 1994 to 1999 he received grants to<br />

study at the Accademia di Belle Arti, Florence (Italy); Angel’s<br />

Orensanz Foundation, New York, (EEUU); and the Scola de Belas<br />

Artes, Belo Horizonte (MG-Brazil). S<strong>in</strong>ce 1999 he has taught sculpture<br />

<strong>in</strong> the Faculty of F<strong>in</strong>e <strong>Arts</strong> <strong>in</strong> Seville and a doctoral course entitled The<br />

Human Body: Mean<strong>in</strong>g <strong>in</strong>to the Contemporary Art World. Research<br />

projects <strong>in</strong>clude The plastic-sculpture representation of Alzheimer’s<br />

disease (1987–97) and Microfusion on ceramic shell: New techniques<br />

<strong>in</strong> bronze cast<strong>in</strong>g (2002–06). This project is be<strong>in</strong>g developed at the<br />

Universitá degli Studii di Firenze (Italy) and Universidade de Lisboa<br />

(Portugal).<br />

› Alzheimer's: Research<strong>in</strong>g the disease through sculpture, International<br />

Journal of Education through Art, 3.2, 133-140.<br />

S<strong>in</strong>ce 1986 Joseph Nechvatal has worked with ubiquitous electronic<br />

visual <strong>in</strong>formation, computers and computer-robotics. His computerrobotic<br />

assisted pa<strong>in</strong>t<strong>in</strong>gs and computer software animations are shown<br />

regularly <strong>in</strong> galleries and museums throughout the world. From 1991-<br />

1993 he worked as artist-<strong>in</strong>-resident at the Louis Pasteur Atelier and<br />

the Sal<strong>in</strong>e Royale / Ledoux Foundation's computer lab <strong>in</strong> Arbois,<br />

France on The Computer Virus Project: an experiment with computer<br />

viruses as a creative stratagem. In 2002 he extended that artistic<br />

<strong>research</strong> <strong>in</strong>to the field of viral artificial life through his collaboration

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