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who's who in research visuAl Arts - Intellect

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Alan Coll<strong>in</strong>s<br />

University of Portsmouth, Department<br />

of Economics, Richmond Build<strong>in</strong>g,<br />

Portland Street, Portsmouth, PO1<br />

3DE, United K<strong>in</strong>gdom<br />

Keywords creative <strong>in</strong>dustries policy,<br />

bureaucracy, public choice, evidencebased<br />

policy, creative Brita<strong>in</strong><br />

Roberta Comunian<br />

University of Kent, School of <strong>Arts</strong>,<br />

Eliot College, Room W3S.5,<br />

Canterbury, Kent, CT2 7NS, United<br />

K<strong>in</strong>gdom<br />

Keywords creative <strong>in</strong>dustries, local<br />

economic development, public<br />

support, creative work, culture-led<br />

regeneration<br />

Juan Carlos Pacheco<br />

Contreras<br />

Pontificia Universidad Javeriana,<br />

Carrera 7 No. 40-62, Bogota, 110231,<br />

Colombia<br />

Keywords socio-ecological systems,<br />

perseverance, rural communities,<br />

adaptive capacity, crafts<br />

Alan is Professor of Economics and Head of the Department of<br />

Economics at the University of Portsmouth. His teach<strong>in</strong>g <strong>in</strong>terests<br />

<strong>in</strong>clude Environmental Economics and Policy, Managerial Economics,<br />

Social Economics, Transport Economics, and Cultural Economics.<br />

Alan is an active <strong>research</strong>er <strong>in</strong> a number of fields, the most significant<br />

of which are environmental and natural resource economics, transport<br />

economics, and social and cultural economics. He is also on the<br />

executive board of the Association of Cultural Economics International<br />

(ACEI).<br />

› Innovativeness, creativity and public policy: anecdotes, conventional<br />

wisdoms and evidence, Creative Industries Journal, 2.3, 247-257.<br />

Roberta Comunian is Lecturer <strong>in</strong> Human Geography at the University<br />

of Southampton. She holds a European Doctorate title <strong>in</strong> Network<br />

Economy and Knowledge Management. She is <strong>in</strong>terested <strong>in</strong> the role of<br />

culture <strong>in</strong> urban development and creative <strong>in</strong>dustries, creativity and<br />

competitiveness. She manages the Regional Studies Association<br />

Network on ‘Creative Industries and the Regions’ (<strong>in</strong> collaboration with<br />

C. Chapa<strong>in</strong> and N. Clifton): more <strong>in</strong>formation available at<br />

www.creative-regions.org.uk.<br />

› Question<strong>in</strong>g creative work as driver of economic development: the case of<br />

Newcastle-Gateshead, Creative Industries Journal, 2.1, 57-71.<br />

› Location, location, location: explor<strong>in</strong>g the complex relationship between<br />

creative <strong>in</strong>dustries and place, Creative Industries Journal, 3.1, 5-10.<br />

Contreras is an <strong>in</strong>dustrial designer with a master’s <strong>in</strong> Environmental<br />

Management. He is Assistant Professor <strong>in</strong> the Department of Design,<br />

and Coord<strong>in</strong>ator of the Environmental Area at the Pontificia<br />

Universidad Javeriana, Colombia, South America. At present he is<br />

pursu<strong>in</strong>g a Ph.D. <strong>in</strong> environmental and rural studies. His <strong>research</strong><br />

<strong>in</strong>terests <strong>in</strong>clude craft production, eco-technological models, local<br />

development and strategies of livelihood.<br />

› The adaptive capacity of rural crafts <strong>in</strong> the face of global challenges, Craft<br />

Research, 1.1, 101-112.

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