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who's who in research visuAl Arts - Intellect

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University of Oregon, Department of<br />

Philosophy, Eugene, OR, 97403-<br />

1295, United States of America<br />

Keywords pragmatism, embodiment,<br />

imag<strong>in</strong>ation, cognitive science,<br />

metaphor<br />

Ruth Jones<br />

Foundation Al Andalus, Rabat,<br />

Morocco, Tregyddulan, St Nicholas,<br />

Goodwick, Pembrokeshire, SA64<br />

0LX, United K<strong>in</strong>gdom<br />

Keywords becom<strong>in</strong>g-animal,<br />

embodiment, Luce Irigaray, Lucy<br />

Gunn<strong>in</strong>g, Deleuze/Guattariritual<br />

Stephen Jones<br />

Keywords consciousness, <strong>in</strong>teraction,<br />

feedback, self-organization, ethics<br />

the Department of Philosophy, University of Oregon. He has written<br />

extensively on metaphor, embodiment and imag<strong>in</strong>ation, and moral<br />

theory. His books <strong>in</strong>clude: Metaphors We Live By (co-author George<br />

Lakoff, University of Chicago, 1980); The Body <strong>in</strong> the M<strong>in</strong>d: The<br />

Bodily Basis of Mean<strong>in</strong>g, Imag<strong>in</strong>ation, and Reason, University<br />

Challenge to Western Thought, (co-author George Lakoff, Basic<br />

Books, 1999).<br />

› ‘The stone that was cast out shall become the cornerstone’: the bodily<br />

aesthetics of human mean<strong>in</strong>g, Journal of Visual Art Practice, 6.2, 89-104.<br />

Ruth Jones is an artist and curator based <strong>in</strong> West Wales. She has<br />

exhibited <strong>in</strong> the United K<strong>in</strong>gdom, Ireland, Poland, United States, Spa<strong>in</strong><br />

and Quebec. She completed a practice-led D. Phil at the University of<br />

Ulster <strong>in</strong> 2002. In 2006 she was awarded an AHRC Fellowship <strong>in</strong><br />

Creative and Perform<strong>in</strong>g <strong>Arts</strong> at the University of West England,<br />

Bristol, explor<strong>in</strong>g the relationships between ritual, place and<br />

community <strong>in</strong> lens-based and public art. Recent projects <strong>in</strong>clude<br />

sleepers (2006), a film and public art project; (2008), a video<br />

<strong>in</strong>stallation about Strumble Head lighthouse, and Cloddfa (2010) a<br />

video <strong>in</strong>stallation about Porthga<strong>in</strong> quarry. Jones was a co-director of<br />

the Belfast-based artist-run gallery Catalyst <strong>Arts</strong> between 1997–1999.<br />

› Becom<strong>in</strong>g-hysterical – becom<strong>in</strong>g-animal – becom<strong>in</strong>g-woman <strong>in</strong> The Horse<br />

Impressionists, Journal of Visual Art Practice, 3.2, 123-138.<br />

› Invent<strong>in</strong>g rituals; <strong>in</strong>habit<strong>in</strong>g places – ritual and community <strong>in</strong> public art,<br />

Journal of <strong>Arts</strong> & Communities, 1.2, 147-167.<br />

Stephen Jones is an Australian video artist of long stand<strong>in</strong>g. Dur<strong>in</strong>g the<br />

1980s and early 1990s he was the video-maker for the electronic music<br />

band Severed Heads. He has been <strong>in</strong>volved with the philosophical<br />

aspects of the nature of consciousness for almost longer than his<br />

<strong>in</strong>volvement <strong>in</strong> video and has produced The Bra<strong>in</strong> Project web site<br />

s<strong>in</strong>ce August 1996 http://www.culture.com.au/bra<strong>in</strong>_proj/ and also<br />

works <strong>in</strong> the theory of Artificial Life and self-organiz<strong>in</strong>g systems. As<br />

an artist he now builds physical immersion <strong>in</strong>stallations based on the<br />

<strong>in</strong>cunabula of comput<strong>in</strong>g. As an electronic eng<strong>in</strong>eer and he works on<br />

equipment rang<strong>in</strong>g from analogue video synthesizers to digital<br />

television facilities as well as develop<strong>in</strong>g <strong>in</strong>teractive sensor systems for<br />

artists’ <strong>in</strong>stallation projects <strong>in</strong> Australia and elsewhere. He is currently<br />

<strong>research</strong><strong>in</strong>g the history of the computer arts <strong>in</strong> Australia.

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