who's who in research visuAl Arts - Intellect

Keywords photography, art object,
visual experience, aesthetic,
understanding
Jorella Andrews
University of London, Goldsmiths,
Department of Visual Cultures,
Lewisham Way, London, SE146NW,
United Kingdom
Keywords contemporary art, ethical
art, photography
Peder Anker
New York University, Gallatin
School of Individualized Study, 1
Washington Place, Room 425, New
York, NY 10003, United States of
America
Keywords Simon Starling, eco-art,
ecology, environmentalism
Kathrine Elizabeth Anker
Planetary Collegium, Center of
Advanced Inquiry in the Interactive
Arts, Department of Art,
Skodsborgvej 324, st.th, 2850
Nærum, 2850, Denmark
Keywords Technoetic Arts,
semiotics, consciousness,
communication, evolution,
subjectivity, cognition, sensation,
meaning making, philosophy,
Lecturer in the Leeds School of Contemporary Art & Graphic Design
at Leeds Metropolitan University.
› Echoes of evocations: sites in transformation, Journal of Visual Art Practice,
4.2, 125-134.
Jorella Andrews is head of the Visual Cultures department at
Goldsmiths, University of London. She is also on the editorial board of
Third Text, an academic journal that provides critical perspectives on
contemporary art and culture. Her research has a particular emphasis on
phenomenological explorations of art, visuality and the ethical. A
forthcoming book on this topic, Showing Off: A Philosophy of Image,
is forthcoming from I. B. Tauris.
› The photographic stare, Philosophy of Photography, 2.1, 41-56.
Peder Anker is associate professor at the Gallatin School of
Individualized Study and the Environmental Studies Program at New
York University. His works include Imperial Ecology: Environmental
Order in the British Empire, 1895-1945 (2001) and From Bauhaus to
Eco-House: A History of Ecological Design, (2010).
› Seeing Pink: The Eco-Art of Simon Starling, Journal of Visual Art Practice,
7.1, 3-9.
Kathrine Elizabeth Anker is a Cultural theorist, writer and researcher
based in Copenhagen. She is a Ph.D. candidate at the Planetary
Collegium, Center of Advanced Inquiry into the Interactive Arts,
University of Plymouth. Her current project has the title: 'Subject and
Aesthetic Interface - an inquiry into transformed subjectivities'. It
places a central emphasis on subjectivity studies, and draws upon the
field of art, science and technology from a perspective of Philosophy of
Science and a strong, transdisciplinary approach.
› Exploring the intelligent art installation as a space for expansion of the
conscious mind, Technoetic Arts: A Journal of Speculative Research, 6.3,