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who's who in research visuAl Arts - Intellect

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time, b<strong>in</strong>ary logic, unity of<br />

knowledge, consciousness › Logic, art and transdiscipl<strong>in</strong>arity: A new logic for the new reality, Technoetic<br />

<strong>Arts</strong>: A Journal of Speculative Research, 1.3, 169-180.<br />

Madele<strong>in</strong>e Brens<br />

University of Cambridge, Faculty of<br />

Education, 184 Hills Rd., Cambridge,<br />

CB2 8PQ, United K<strong>in</strong>gdom<br />

Keywords young female offenders,<br />

adolescent women, art education<br />

Ron Broglio<br />

Arizona State University, PO Box<br />

870302, Tempe, AZ, 85287-0302,<br />

United States of America<br />

Keywords sk<strong>in</strong>, Snaebjornsdottir and<br />

Wilson, Coates, surface, Umwelt<br />

Alice Haylett Bryan<br />

K<strong>in</strong>g’s College London<br />

Madele<strong>in</strong>e Brens is a Ph.D. student at the University of Cambridge <strong>in</strong><br />

the Faculty of Education where she completed her M.Phil. <strong>in</strong> 2009<br />

(‘The <strong>Arts</strong> Award: Creat<strong>in</strong>g Artists and <strong>Arts</strong> Leaders’). Madele<strong>in</strong>e has<br />

recently presented her work (‘Female Young Offenders and the Impact<br />

of <strong>Arts</strong> Engagement’) at an <strong>in</strong>ternational conference (The Emergent<br />

Adult, 2010). She completed her teacher tra<strong>in</strong><strong>in</strong>g <strong>in</strong> Canada at Queen’s<br />

University (2005) and has taught visual art for several years at a<br />

secondary school <strong>in</strong> Toronto, Canada.<br />

› Engagement <strong>in</strong> the arts and self-efficacy of adolescent women, Visual<br />

Inquiry: Learn<strong>in</strong>g & Teach<strong>in</strong>g Art, 1.1, 9-19.<br />

Ron Broglio is Assistant Professor of English at Arizona State<br />

University. His <strong>research</strong> focuses on how philosophy and aesthetics can<br />

help us reth<strong>in</strong>k the relationship between humans and the environment.<br />

His book Technologies of the Picturesque: British Art, Poetry, and<br />

Instruments 1750–1830 (Bucknell 2008) develops the<br />

phenomenological engagement between bodies and technology <strong>in</strong> the<br />

British landscape aesthetic. His work On the Surface: Th<strong>in</strong>k<strong>in</strong>g with<br />

Animals and Art (University of M<strong>in</strong>nesota Press, Fall 2011) develops a<br />

language for animal studies through exam<strong>in</strong>ation of contemporary art<br />

and phenomenology. Current projects <strong>in</strong>clude a dairy cattle art<br />

<strong>in</strong>stallation at the University of Waterloo, a book project on British<br />

Romantic peasant poetry and agriculture, and a manifesto on the<br />

animal revolution.<br />

› A Left-handed Primer for Approach<strong>in</strong>g Animal Art, Journal of Visual Art<br />

Practice, 9.1, 35-45.<br />

Alice Haylett Bryan is a Ph.D. student at K<strong>in</strong>g’s College London.<br />

› Hiroshima After Iraq: Three Studies <strong>in</strong> Art and War, Rosalyn Deutsche,<br />

(2010), Mov<strong>in</strong>g Image Review & Art Journal MIRAJ, 1.1, 136-141.

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