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who's who in research visuAl Arts - Intellect

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Natalie Woolf<br />

Keywords design modes, organic<br />

framework, <strong>in</strong>tuition, thesis writ<strong>in</strong>g<br />

Mart<strong>in</strong> Woolley<br />

Coventry University, Coventry<br />

School of Art and Design, Priory<br />

Street, Coventry, CV1 5FB, United<br />

K<strong>in</strong>gdom<br />

Keywords susta<strong>in</strong>ability, product<br />

semantics, user <strong>research</strong>, craft,<br />

product semantics, design<br />

› Cross<strong>in</strong>g boundaries: A partnership of craft, <strong>in</strong>dustry and science through<br />

practice-led <strong>research</strong> <strong>in</strong>to the pat<strong>in</strong>ation of pewter, Craft Research, 1.1, 133-<br />

143.<br />

Natalie Woolf grew up <strong>in</strong> Buck<strong>in</strong>ghamshire where she began<br />

professional tra<strong>in</strong><strong>in</strong>g <strong>in</strong> the arts at the age of sixteen on the BTEC<br />

<strong>in</strong>dustry-approved Art and Design education programme at Amersham<br />

EF, FE college. She moved on to specialize <strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g at Leeds<br />

Polytechnic (now Leeds Metropolitan University) and after graduat<strong>in</strong>g,<br />

rema<strong>in</strong>ed <strong>in</strong> Yorkshire to cont<strong>in</strong>ue pa<strong>in</strong>t<strong>in</strong>g and to set up her own<br />

practice as a designer/maker specializ<strong>in</strong>g <strong>in</strong> floor<strong>in</strong>g. Over the next<br />

twelve years her company developed and moved <strong>in</strong>to designs for v<strong>in</strong>yl<br />

which were exhibited at 100% Design and <strong>in</strong>ternationally. In 1999, she<br />

moved to London to undertake <strong>research</strong> at the RCA <strong>in</strong> order to explore<br />

the more creative and conceptual aspects of design practice. S<strong>in</strong>ce<br />

complet<strong>in</strong>g her Ph.D. <strong>in</strong> 2004, Natalie has been both work<strong>in</strong>g as an<br />

artist consultant specializ<strong>in</strong>g <strong>in</strong> works <strong>in</strong> the public realm and<br />

cont<strong>in</strong>u<strong>in</strong>g her creative and <strong>research</strong> practice.<br />

› Design <strong>research</strong> by practice: modes of writ<strong>in</strong>g <strong>in</strong> a recent Ph.D. from the<br />

RCA, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 1.1, 53-68.<br />

Mart<strong>in</strong> Woolley's <strong>in</strong>terests encompass susta<strong>in</strong>ability, product<br />

semantics, user <strong>research</strong>, the crafts, product semantics and designrelated<br />

aspects of the <strong>in</strong>novation process. He moved <strong>in</strong>to a <strong>research</strong><br />

project management role, <strong>in</strong>itially as Director of the HEFCE/TLTP<br />

funded 'demi' Project which established web-based learn<strong>in</strong>g and<br />

teach<strong>in</strong>g resources for UK design courses, and more recently he was<br />

pr<strong>in</strong>cipal <strong>in</strong>vestigator on both the EU Framework 5 'AGORA Cities for<br />

People' project and on the 'Emotional Wardrobe' Design<strong>in</strong>g for the 21st<br />

Century EPSRC/AHRC cluster project.<br />

› Book Review, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 1.2, 191-193.<br />

› Beyond control: Reth<strong>in</strong>k<strong>in</strong>g <strong>in</strong>dustry and craft dynamics, Craft Research,<br />

2.1, 11-36.

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