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who's who in research visuAl Arts - Intellect

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Zhifan Hu<br />

Education Science College, Shanghai<br />

Normal University, No.100 Gui L<strong>in</strong><br />

road, Shanghai, 200234, Ch<strong>in</strong>a<br />

Keywords visual culture, Ch<strong>in</strong>ese<br />

teenagers, art education, images<br />

Rob Huddleston<br />

Keywords <strong>in</strong>novation, creative,<br />

design, technology, lasers<br />

L<strong>in</strong>dsay Hughes<br />

<strong>Arts</strong> Council Wales, Visual Art, 155<br />

Somerset Road, Bristol, Avon, BS4<br />

2JA, United K<strong>in</strong>gdom<br />

Keywords context, viewer,<br />

contemporary, experience<br />

Zhifan Hu is Professor of Art Education at Shanghai Normal<br />

University. His major <strong>research</strong> <strong>in</strong>terests are <strong>in</strong> art education and history<br />

of Ch<strong>in</strong>ese art. He has edited and co-edited books and papers on the<br />

follow<strong>in</strong>g art education topics: the curriculum and teach<strong>in</strong>g <strong>in</strong> the arts<br />

(2003); prospects for art education (2002); understand<strong>in</strong>g art <strong>in</strong> context<br />

(2004); the evolution of art teach<strong>in</strong>g materials <strong>in</strong> primary and<br />

secondary schools <strong>in</strong> Ch<strong>in</strong>a s<strong>in</strong>ce 1949 (2004); art as cultural studies<br />

(2003); and art education and globalization (2002). He has also<br />

published books and papers on the history of Ch<strong>in</strong>ese art.<br />

› Art education <strong>in</strong> Ch<strong>in</strong>ese primary and secondary schools: Meet<strong>in</strong>g the<br />

challenge of Visual Culture, International Journal of Education through Art,<br />

2.1, 17-26.<br />

Rob Huddleston, is Senior Lecturer and Director of Collaborations at<br />

the University of Southampton, W<strong>in</strong>chester School of Art. With an<br />

early background <strong>in</strong> f<strong>in</strong>e art, Rob is actively <strong>in</strong>volved <strong>in</strong><br />

<strong>in</strong>terdiscipl<strong>in</strong>ary design <strong>research</strong> and teach<strong>in</strong>g. He is currently work<strong>in</strong>g<br />

with textile designer Cheryl Welsh and University of Southampton<br />

<strong>research</strong>ers <strong>in</strong> optoelectronics on the next stage of a project with the<br />

textile producer Jakob Schlaepfer, Switzerland. He is <strong>in</strong>terested <strong>in</strong><br />

<strong>in</strong>novations <strong>in</strong> design and manufactur<strong>in</strong>g utiliz<strong>in</strong>g historical references<br />

such as Japanese pr<strong>in</strong>tmak<strong>in</strong>g and comb<strong>in</strong>ations of draw<strong>in</strong>g, new<br />

materials and laser technologies. In 2002 Rob conducted AHRC funded<br />

<strong>research</strong> at Tama Art University, Japan with the aim of explor<strong>in</strong>g<br />

possible connections between the materiality of traditionalJapanese<br />

pr<strong>in</strong>ts and digital textile pr<strong>in</strong>t<strong>in</strong>g. It was this experience that led him to<br />

start work<strong>in</strong>gwith Cheryl Welsh, and later Jakob Schlaepfer, on laserrelated<br />

design ideas.<br />

› Jakob Schlaepfer: A case study <strong>in</strong> laser <strong>in</strong>novation and the unexpected, Craft<br />

Research, 1.1, 125-132.<br />

L<strong>in</strong>dsay Hughes is currently Senior Visual <strong>Arts</strong> Officer for the <strong>Arts</strong><br />

Council Wales and is based <strong>in</strong> Bristol. She is also a freelance curator<br />

and writer. She is complet<strong>in</strong>g a Ph. D., <strong>research</strong><strong>in</strong>g the relationship<br />

between the viewer and site-based artwork, <strong>in</strong> particular focus<strong>in</strong>g on<br />

the notion of ‘wonder’.<br />

› Do we need new spaces for exhibit<strong>in</strong>g contemporary art? A critique of<br />

curatorial practice <strong>in</strong> relation to the viewer's engagement with contemporary

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