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who's who in research visuAl Arts - Intellect

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Chris Smith<br />

London Metropolitan Univ., John<br />

Cass Dept - Art, Media & Design, 69-<br />

73 Whitechapel High Street, London,<br />

E1 1PF, United K<strong>in</strong>gdom<br />

Keywords def<strong>in</strong>ition, naturalized<br />

epistemology, artwork, art practice,<br />

documentation, practice<br />

Matt Smith<br />

Liverpool Institute for Perform<strong>in</strong>g<br />

<strong>Arts</strong>, Community Drama programme,<br />

Mount Street, Liverpool, L1 9HF,<br />

United K<strong>in</strong>gdom<br />

Keywords puppetry, participation,<br />

environment<br />

Pia Smith<br />

Keywords community art, music,<br />

dance<br />

Chris Smith is Convenor of the Visual <strong>Arts</strong> Practice Research Group<br />

and editor of the Journal of Visual Art Practice. His <strong>research</strong> <strong>in</strong>terests<br />

lie <strong>in</strong> the field of art anddesign philosophy, particularly the connection<br />

between theory and practice, and a concern with praxis <strong>in</strong> art and<br />

design. He collaborates with others from the Visual<strong>Arts</strong> Practice<br />

Research Group <strong>in</strong> projects related to the relationship of imag<strong>in</strong>ation<br />

and image, and with Art & Language on the question of ‘What work<br />

does the artwork do?’ This has led to various national and <strong>in</strong>ternational<br />

symposia and exhibitions. Chris supervises a range of doctoral students<br />

drawn from art and design as well as the crafts. He has run a number of<br />

workshops <strong>in</strong> collaboration with the Centre for Learn<strong>in</strong>g and Teach<strong>in</strong>g<br />

<strong>in</strong> Art and Design, University of the <strong>Arts</strong>, London, on supervision of<br />

Masters and Doctoral students.<br />

› Editorial, Journal of Visual Art Practice, 6.1, 3-4.<br />

› Special Edition Editorial: What work does the artwork do? A question for art,<br />

Journal of Visual Art Practice, 6.1, 5-12.<br />

› Special Edition Editorial: The Problem of Document<strong>in</strong>g F<strong>in</strong>e Art Practices<br />

and Processes, Journal of Visual Art Practice, 6.3, 167-174.<br />

› Editorial, Journal of Visual Art Practice, 7.2, 103-105.<br />

› Writ<strong>in</strong>g on Practice, Journal of Visual Art Practice, 8.1&2, 3-5.<br />

Matt currently leads the undergraduate Community Drama programme<br />

at the Liverpool Institute for Perform<strong>in</strong>g <strong>Arts</strong>. Matt is also the artistic<br />

director for PickleHerr<strong>in</strong>g Theatre Company. Matt has been a freelance<br />

artist for sixteen years, work<strong>in</strong>g <strong>in</strong> diverse sett<strong>in</strong>gs such as schools,<br />

prisons, hospitals, environmental agencies and work<strong>in</strong>g with the<br />

homeless. Matt’s work is always eclectic, work<strong>in</strong>g across discipl<strong>in</strong>es<br />

such as drama, puppetry, masks, and music. Matt completed his MA <strong>in</strong><br />

Contemporary <strong>Arts</strong> at Manchester Metropolitan University.<br />

› Puppetry as Community <strong>Arts</strong> Practice, Journal of <strong>Arts</strong> & Communities, 1.1,<br />

69-78.<br />

Pia Smith worked <strong>in</strong> the Globalism Research Centre at RMIT<br />

University, Melbourne, on three projects related to the social benefits<br />

of community art. These <strong>in</strong>cluded one project for the Victorian health<br />

promotion agency VicHealth, one for Regional <strong>Arts</strong> Victoria and a<br />

project for Australia Councilfor the <strong>Arts</strong>. She has a background <strong>in</strong><br />

music and dance and has worked as a freelance writer and editor.

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