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who's who in research visuAl Arts - Intellect

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Wood Roberdeau<br />

Goldsmiths, University of London,<br />

Visual Cultures, New Cross, London,<br />

SE14 6NW, United K<strong>in</strong>gdom<br />

Keywords aesthetics, art theory,<br />

contemporary art, domesticity,<br />

everyday aesthetics, phenomenology,<br />

postmodernism<br />

John Roberts<br />

Keywords aesthetics, sensible,<br />

subjectivization, representation,<br />

pragmatism<br />

commercial and urban regeneration projects. Felix has also taught as a<br />

visit<strong>in</strong>g critic at Diploma and MArch level at the Bartlett and AA. He is<br />

currently conduct<strong>in</strong>g a Ph.D. by Design at the Bartlett supervised by<br />

Neil Spiller and Ranulph Glanville – <strong>research</strong> that speculates on the<br />

possibility of design to transcend the contradictions of post-logical<br />

architectural production.<br />

› Instructional Design Vision:Synthetic opera: transcend<strong>in</strong>g contradictions of<br />

post, Design Ecologies, 1.1, 75-112.<br />

Dr. Wood Roberdeau is an Associate Tutor <strong>in</strong> Visual Cultures at<br />

Goldsmiths, where he teaches course on modern and contemporary art<br />

and theory.<br />

› , Philosophy of Photography, 2.1, 159-183.<br />

John Roberts is professor of Art and Aesthetics at the University of<br />

Wolverhampton. He is the author of a number of books, <strong>in</strong>clud<strong>in</strong>g The<br />

Art of Interruption: Realism, Photography and the Everyday<br />

(Manchester University Press, 1998) and The Intangibilities of Form:<br />

Skill and Deskill<strong>in</strong>g <strong>in</strong> Art After the Readymade (2007).<br />

› On the limits of negation <strong>in</strong> Badiou’s theory of art, Journal of Visual Art<br />

Practice, 7.3, 271-282.<br />

› Philosophy, culture, image: Rancière’s ‘constructivism’, Philosophy of<br />

Photography, 1.1, 69-79.<br />

› Photography, landscape and the social production of space, Philosophy of<br />

Photography, 1.2, 135-156.<br />

› The flat-l<strong>in</strong><strong>in</strong>g of metaphysics: François Laruelle’s ‘science-fictive’ theory of<br />

non-photography, Philosophy of Photography, 2.1, 129-141.<br />

Gillian Robertson Gillian is an artist and tra<strong>in</strong>ed at W<strong>in</strong>chester School of Art, receiv<strong>in</strong>g a<br />

Ph.D. <strong>in</strong> F<strong>in</strong>e Art (Pa<strong>in</strong>t<strong>in</strong>g) <strong>in</strong> 2009. She lives and works <strong>in</strong> Hampshire

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