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who's who in research visuAl Arts - Intellect

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Mar<strong>in</strong>a Vishmidt<br />

Queen Mary University, School of<br />

Bus<strong>in</strong>ess and Management, 20<br />

Lansdowne Drive, London, E8 3EG,<br />

United K<strong>in</strong>gdom<br />

Keywords labour, capital, capitalism,<br />

Marx, fem<strong>in</strong>ism, materialism, f<strong>in</strong>ance,<br />

speculation, realism, critical,<br />

experimental, mov<strong>in</strong>g-image, value,<br />

avant-garde, politics<br />

Natasha Vita-More<br />

University of Plymouth<br />

Keywords biomedia, ethics and bias,<br />

future studies, NBIC technologies,<br />

transBioArt<br />

Frans Vogelaar<br />

Keywords urban, communication,<br />

Mar<strong>in</strong>a Vishmidt is a writer based <strong>in</strong> London concentrat<strong>in</strong>g on art and<br />

work. Currently conduct<strong>in</strong>g Ph.D. <strong>research</strong> at Queen Mary, University<br />

of London on 'Speculation as a Mode of Production <strong>in</strong> Art and Capital',<br />

recent <strong>research</strong> posts <strong>in</strong>clude a critic's residency at the FRAC Lorra<strong>in</strong>e<br />

and a fellowship at the Jan van Eyck Academie. She received her MA<br />

at the Middlesex Centre for Research <strong>in</strong> Modern European Philosophy<br />

<strong>in</strong> 2004. She has co-edited Uncorporate Identity (2010) with<br />

Metahaven, and Media Mutandis: Art, Technologies and Politics<br />

(2006). She has written for artists' publications <strong>in</strong>clud<strong>in</strong>g Ruth<br />

Buchanan, Chris Evans and Olivia Plender, and is a frequent<br />

contributor to catalogues, edited collections and journals such as Mute,<br />

Afterall, Texte zur Kunst, and Reartikulacija.<br />

› The cultural logic of criticality, Journal of Visual Art Practice, 7.3, 253-269.<br />

Natasha Vita-More is a Ph.D. candidate, Planetary Collegium and<br />

University of Plymouth. Her <strong>research</strong> concerns human enhancement<br />

and radical life extension. Vita-More’s design ‘Primo Posthuman’ has<br />

been featured <strong>in</strong> , LAWeekly, The New York Times, U.S. News & World<br />

Report, Net Bus<strong>in</strong>ess, Teleopolis and The Village Voice. She has<br />

appeared <strong>in</strong> over 24 televised documentaries on human enhancement<br />

and transhumanism, and is featured <strong>in</strong> 100 000 Ans de Beauté.<br />

Currently, Vita-More is a fellow at the Institute for Ethics and<br />

Emerg<strong>in</strong>g Technologies; a Visit<strong>in</strong>g Scholar at 21st Century Medic<strong>in</strong>e;<br />

and Advisor to the S<strong>in</strong>gularity University, the Board of Directors for<br />

Humanity Plus, the Scientific Board of the Lifeboat Foundation, the<br />

Alcor Foundation and Kenya SIYM International.<br />

› Brave BioArt 2: shedd<strong>in</strong>g the bio, amass<strong>in</strong>g the nano, and cultivat<strong>in</strong>g<br />

posthuman life, Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 5.3,<br />

171-186.<br />

› Aesthetics of the radically enhanced human, Technoetic <strong>Arts</strong>: A Journal of<br />

Speculative Research, 8.2, 207-214.<br />

› Epoch of plasticity: The metaverse as a vehicle for cognitive enhancement,<br />

Metaverse Creativity, 1.1, 69-80.<br />

Frans Vogelaar is Founder of Hybrid Space Lab (Amsterdam/Berl<strong>in</strong>), a<br />

r&d and design practice focus<strong>in</strong>g on the hybrid fields that are emerg<strong>in</strong>g<br />

through the comb<strong>in</strong>ation and fusion of environments, objects and<br />

services <strong>in</strong> the <strong>in</strong>formation/communication age. Professor of Hybrid<br />

Space at the Academy of Media <strong>Arts</strong> Cologne and consultant to the<br />

Dutch government on 'the use of space <strong>in</strong> the

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