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who's who in research visuAl Arts - Intellect

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Victoria Vesna<br />

UCLA, Dept. of Design | Media <strong>Arts</strong>,<br />

Broad <strong>Arts</strong> center, 11000 K<strong>in</strong>ross<br />

Ave, Los Angeles, CA 90095, United<br />

States of America<br />

Keywords nanotechnology,<br />

nanometre, nanobots<br />

Rachel de Sousa Vianna<br />

Universidade do Estado de M<strong>in</strong>as<br />

Gerais, Escola Guignard, Rua Coletor<br />

Celso Werneck, 200/102, Belo<br />

Horizonte, M<strong>in</strong>as Gerais, 30.350-010,<br />

Brazil<br />

Keywords art education, perception,<br />

critical studies, built environment<br />

education, museum education<br />

› Learn<strong>in</strong>g <strong>in</strong> groups: the student experience <strong>in</strong> Postgraduate Diplomas of F<strong>in</strong>e<br />

Art, Art, Design & Communication <strong>in</strong> Higher Education, 6.2, 117-132.<br />

Victoria Vesna is an artist, professor and chair of the department of<br />

Design/Media <strong>Arts</strong> at the UCLA School of <strong>Arts</strong>. She is currently a<br />

Visit<strong>in</strong>g Professor and Director of Research at Parsons Art, Media and<br />

Technology, the New School for Design <strong>in</strong> New York and a senior<br />

<strong>research</strong>er at IMéRA – Institut Méditerranéen de Recherches Avancées<br />

<strong>in</strong> Marseille, France and Artist <strong>in</strong> Residence at the Institute of<br />

Advanced Studies, University of Bristol. Her work can be def<strong>in</strong>ed as<br />

experimental creative <strong>research</strong> that resides between discipl<strong>in</strong>es and<br />

technologies. With her <strong>in</strong>stallations she explores how communication<br />

technologies affect collective behavior and how perceptions of identity<br />

shift <strong>in</strong> relation to scientific <strong>in</strong>novation. Victoria has exhibited her<br />

work <strong>in</strong> over twenty solo exhibitions, more than seventy group shows,<br />

has been published <strong>in</strong> excess of twenty papers.<br />

› The Nanoneme Syndrome: Blurr<strong>in</strong>g of fact and fiction <strong>in</strong> the construction of<br />

a new science, Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 1.1, 7-<br />

24.<br />

Rachel de Sousa Vianna is a lecturer at Universidade do Estado de<br />

M<strong>in</strong>as Gerais, <strong>in</strong> Brazil. She has a BA degree <strong>in</strong> Architecture and<br />

Urbanism from Universidade Federal de M<strong>in</strong>as Gerais, an MA <strong>in</strong> Art<br />

Education from The University of Texas, and a Ph.D. <strong>in</strong> Education<br />

from Universidade de São Paulo. Her <strong>research</strong> <strong>in</strong>terests <strong>in</strong>clude Built<br />

Environment Education, Critical Studies, Visual perception and Sociohistorical<br />

Theory applied to art education.<br />

› Development of visual perception and the role of ‘visual concepts’ <strong>in</strong> Critical<br />

Studies, International Journal of Education through Art, 5.1, 23-35.<br />

Judit Vidiella Judit Vidiella is a doctoral student and <strong>research</strong> assistant <strong>in</strong> F<strong>in</strong>e <strong>Arts</strong> at<br />

the University of Barcelona. She also teaches on a Masters course<br />

about Visual Culture Studies. She is participat<strong>in</strong>g <strong>in</strong> <strong>research</strong> projects<br />

be<strong>in</strong>g carried out at the Centre for Studies for Change <strong>in</strong> Culture and<br />

Education at the university; and the work of the Technologies of

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