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who's who in research visuAl Arts - Intellect

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Carlos Castellanos<br />

Simon Fraser University, School of<br />

Interactive <strong>Arts</strong>, 250-13450 102<br />

Avenue, Surrey, BC, V3T 0A3,<br />

Canada<br />

Keywords phenomenology,<br />

embodiment, symbiogenesis, coevolution,<br />

artificial <strong>in</strong>telligence<br />

Oron Catts<br />

Dept Anatomy and Human Biology,<br />

University of Western Australia, 35<br />

Crawley Avenue, Nedlands, WA<br />

6009, Australia<br />

Keywords tissue culture, art,<br />

organisms<br />

Clive Cazeaux<br />

University of Wales Institute, School<br />

of Art and Design, Howard Gardens,<br />

Cardiff, CF24 0SP, United K<strong>in</strong>gdom<br />

Keywords sense perception, Merleau-<br />

Ponty, cognition, phenomenology,<br />

aesthetics<br />

Carlos Castellanos is an <strong>in</strong>terdiscipl<strong>in</strong>ary artist and <strong>research</strong>er. His<br />

<strong>research</strong> and art practice focus on networks, artificial <strong>in</strong>telligence,<br />

human-computer <strong>in</strong>teraction and cultural theory. He was a National<br />

Science Foundation IGERT fellow <strong>in</strong> Interactive Digital Multimedia<br />

and a California State University Sally Casanova Pre-doctoral Scholar.<br />

He is currently pursu<strong>in</strong>g a Ph.D. at the School of Interactive <strong>Arts</strong> and<br />

Technology, Simon Fraser University, where he is explor<strong>in</strong>g the<br />

aesthetics of <strong>in</strong>formation technologies and their effects on lived<br />

embodied human experience. Castellanos splits his time between<br />

Vancouver and San Francisco.<br />

› The symbiogenic experience: towards a framework for understand<strong>in</strong>g<br />

human–mach<strong>in</strong>e coupl<strong>in</strong>g <strong>in</strong> the <strong>in</strong>teractive arts, Technoetic <strong>Arts</strong>: A Journal<br />

of Speculative Research, 8.1, 11-18.<br />

Oron Catts is Artistic Director of SymbioticA, artist/<strong>research</strong>er and<br />

curator. He founded the Tissue Culture and Art Project (TC&A) <strong>in</strong><br />

1996 and is co-founder and Artistic Director of SymbioticA - The Art<br />

& Science Collaborative Research Laboratory at The School of<br />

Anatomy & Human Biology, University of Western Australia. He is<br />

curator of Biofeel exhibition and The Aesthetics of Care? Symposium,<br />

2002 and BioDifferences BEAP 2004 and a <strong>research</strong> Fellow at the<br />

Tissue Eng<strong>in</strong>eer<strong>in</strong>g & Organ Fabrication Laboratory, Massachusetts<br />

General Hospital, Harvard Medical School (2000-2001). He tra<strong>in</strong>ed <strong>in</strong><br />

product design (BA, Honours), and Visual Art (MA) and has exhibited,<br />

published and conducted workshops of his own work as well as the<br />

work of SymbioticA <strong>in</strong>ternationally.<br />

› Are the Semi-Liv<strong>in</strong>g semi-good or semi-evil?, Technoetic <strong>Arts</strong>: A Journal of<br />

Speculative Research, 1.1, 47-60.<br />

Clive Cazeaux is Reader <strong>in</strong> Aesthetics at the University of Wales<br />

Institute, Cardiff. He is the author of Metaphor and Cont<strong>in</strong>ental<br />

Philosophy: From Kant to Derrida (Routledge, 2007) and the editor of<br />

The Cont<strong>in</strong>ental Aesthetics Reader (2nd edition; Routledge, 2011). He<br />

has also written articles on metaphor, the philosophy of visual arts<br />

<strong>research</strong>, and the relation between art and philosophy.<br />

› Categories <strong>in</strong> action: Sartre and the theory-practice debate, Journal of Visual<br />

Art Practice, 2.1, 44-56.<br />

› From sensation to categorization: aesthetic metaphor <strong>in</strong> Locke and Merleau-

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