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who's who in research visuAl Arts - Intellect

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fiction<br />

Mario Gerosa<br />

Independent curator and <strong>research</strong>er<br />

Keywords architecture, curat<strong>in</strong>g,<br />

virtual worlds<br />

Robyn Gibson<br />

University of Sydney, Faculty of<br />

Education and Social Work,<br />

University of Sydney, NSW, 2006,<br />

Australia<br />

Keywords art education, art<br />

education <strong>in</strong> Australia, student<br />

engagement, motivation,<br />

achievement, creative teach<strong>in</strong>g<br />

practices, art as <strong>research</strong>, <strong>research</strong> as<br />

art<br />

Eugene Giddens<br />

Anglia Rusk<strong>in</strong> University, Helmore<br />

158, Faculty of <strong>Arts</strong>, Law and Social<br />

› Us<strong>in</strong>g 2D photography as a 3D constructional tool with<strong>in</strong> the metaverse,<br />

Metaverse Creativity, 1.1, 35-50.<br />

Mario Gerosa (1963) studied architecture at the Politecnico <strong>in</strong> Milan,<br />

graduat<strong>in</strong>g <strong>in</strong> 1987 with a thesis on the imag<strong>in</strong>ary places described <strong>in</strong> A<br />

la recherche du temps perdu, by Proust. He has always been fond of<br />

imag<strong>in</strong>ary architectures and <strong>in</strong> 1989, he created and he was the curator<br />

of the exhibition ‘Proust au Grand Hotel de Balbec’ (Palazzo Sormani,<br />

Milan), dedicated to the hotel described <strong>in</strong> A la recherche du temps<br />

perdu. In 1991, he conceived the exhibition ‘Le camere del delitto. Gli<br />

<strong>in</strong>terni mentali di John Dickson Carr’ (Mysfest, Cattolica), dedicated to<br />

the <strong>in</strong>teriors of the thrillers l<strong>in</strong>ked to the ‘locked rooms murders’. In<br />

2006, he wrote the ‘Convention for the protection of the virtual<br />

architecture eritage’ (http://virtualarchitecturalheritage .blogspot.com)<br />

and founded Synthravels (www.synthravels.com), the first tour<br />

operator for travels <strong>in</strong>to virtual worlds.<br />

› A playful attitude: Fun and seriousness <strong>in</strong> the art of the virtual worlds: How<br />

fun and seriousness <strong>in</strong> the art of the virtual worlds can predict the shape of<br />

the forthcom<strong>in</strong>g future, Metaverse Creativity, 1.2, 165-184.<br />

Robyn Gibson is Associate Dean of Undergraduate and Preservice<br />

Programmes <strong>in</strong> the Faculty of Education and Social Work at the<br />

University of Sydney. She lectures <strong>in</strong> Visual and Creative <strong>Arts</strong><br />

Education <strong>in</strong> both the Bachelor of Education (Primary) and Master of<br />

Teach<strong>in</strong>g (Primary) programmes. Her current <strong>research</strong> focuses on the<br />

use of creative learn<strong>in</strong>g, teach<strong>in</strong>g and assessment <strong>in</strong> tertiary contexts.<br />

› Primary-age children’s attitudes to art, art mak<strong>in</strong>g and art education,<br />

International Journal of Education through Art, 4.2, 177-193.<br />

Eugene Giddens is Sk<strong>in</strong>ner-Young Professor <strong>in</strong> Shakespeare and<br />

Renaissance Literature at Anglia Rusk<strong>in</strong> University. He is an associate<br />

editor of the forthcom<strong>in</strong>g Cambridge Edition of the Works of Ben<br />

Jonson and a general editor of the Oxford Complete Works of James

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