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who's who in research visuAl Arts - Intellect

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Jeremy Spencer<br />

Keywords aesthetic thought, Marxist<br />

theories, critical theories, materialism,<br />

deconstruction<br />

Miriam Brown Spiers<br />

University of Georgia, Department at<br />

the University of Georgia, 254 Park<br />

Hall, Athens, GA 30602, United<br />

States of America<br />

Keywords graphic memoir, Fun<br />

Home, Alison Bechdel, queer<br />

relations/relationships<br />

Neil Spiller<br />

The Bartlett School of Architecture,<br />

Wates House, 22 Gordon Street,<br />

London, United K<strong>in</strong>gdom<br />

Keywords nanotechnology,<br />

pataphysics, slamhound, Valazquez<br />

Mach<strong>in</strong>e, surrealism, surreal<br />

Jeremy Spencer has completed a doctoral thesis on the methodological<br />

role of the literary theory of Paul de Man <strong>in</strong> materialist art histories at<br />

the University of Essex. He teaches contextual studies at the Colchester<br />

School of Art and Design, Colchester Institute and is an Associate<br />

Lecturer with the Open University.<br />

› The bodies and the embodiment of modernist pa<strong>in</strong>t<strong>in</strong>g, Journal of Visual Art<br />

Practice, 5.3, 229-.<br />

Miriam Brown Spiers is a doctoral student <strong>in</strong> the English Department<br />

at the University of Georgia, where she studies contemporary<br />

American literature, gender studies and Native American literature. She<br />

has presented conference papers on Alison Bechdel and also on the<br />

subject of her thesis, which deals with the roles of women <strong>in</strong> Max<strong>in</strong>e<br />

Hong K<strong>in</strong>gston’s Fifth Book of Peace. She spends most of her time<br />

grad<strong>in</strong>g papers and read<strong>in</strong>g <strong>in</strong> the excellent coffee shops of Athens.<br />

› Daddy's little girl: Multigenerational queer relationships <strong>in</strong> Bechdel's Fun<br />

Home, Studies <strong>in</strong> Comics, 1.2, 315-335.<br />

Neil Spiller is Professor of Architecture and Digital Theory and a<br />

practis<strong>in</strong>g architect. He is the MArch. Course Director, Director of the<br />

Advanced Virtual and Technological Architecture Research Group<br />

(AVATAR) and Vice Dean at the Bartlett School of Architecture,<br />

University College, London. He is author of the book Digital Dreams-<br />

Architecture and the New Alchemic Technologies (1998). He is coeditor<br />

of AD ‘Architects <strong>in</strong> Cyberspace’ (1995), guest-editor of AD<br />

‘Integrat<strong>in</strong>g Architecture’ (1996), AD’ Architects <strong>in</strong> Cyberspace II’<br />

(1998) and AD ‘Young Blood’ (2001) and formerly editor of Build<strong>in</strong>g<br />

Design Interactive’magaz<strong>in</strong>e. He is co-editor with Peter Cook of The<br />

Power of Contemporary Architecture (1999) and the Paradox of<br />

Contemporary Architecture (2001).<br />

› Communicat<strong>in</strong>g vessels: The 'pataphysical exceptions of reflexive<br />

architecture, Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 1.3, 223-.<br />

› Surrealist complex systems, parallel biology and the green<strong>in</strong>g of architecture,<br />

Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 7.2, 75-78.<br />

› Plectic architecture: towards a theory of the post-digital <strong>in</strong> architecture,<br />

Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 7.2, 95-104.

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