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who's who in research visuAl Arts - Intellect

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Keywords collaboration, Goat Island,<br />

performance<br />

Brent Wilson<br />

Keywords biographical <strong>in</strong>quiry,<br />

ethnographical <strong>in</strong>quiry, <strong>in</strong>formal<br />

curriculum, qualitative <strong>research</strong>, thirdsite<br />

pedagogy<br />

Mick Wilson<br />

Dubl<strong>in</strong> Institute of Technology, Head<br />

of F<strong>in</strong>e Art, 143-149 Rathm<strong>in</strong>es<br />

Road, Dubl<strong>in</strong> 6, Ireland<br />

Keywords artist, writer, curat<strong>in</strong>g,<br />

education<br />

Nick Wilson<br />

K<strong>in</strong>g’s College London, Centre for<br />

Culture, Media & Creative Industries,<br />

Kraftwerk: Music Non-Stop for Cont<strong>in</strong>uum Books (2011) jo<strong>in</strong>t<br />

authored with Simon Piasecki.<br />

› The Last Performance [dot org]: an impossible collaboration, Journal of<br />

Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 2.1, 15-25.<br />

Brent Wilson is emeritus professor of art education at the Pennsylvania<br />

State University, School of Visual <strong>Arts</strong>. His <strong>research</strong> areas <strong>in</strong>clude the<br />

cultural <strong>in</strong>fluences on children’s draw<strong>in</strong>gs, children’s graphic<br />

narratives, pedagogical theory, and theories of <strong>in</strong>terpretation. His artistbooks<br />

were exhibited most recently at the Pearl Street Gallery <strong>in</strong> New<br />

York City.<br />

› Research at The Marg<strong>in</strong>s of School<strong>in</strong>g: Biographical Inquiry and Third-Site<br />

Pedagogy, International Journal of Education through Art, 4.2, 119-130.<br />

Mick Wilson is an artist, writer and educator. He is Head of F<strong>in</strong>e Art at<br />

DIT. From the mid-1990s to 2000, he produced a series of one-person<br />

shows and projects <strong>in</strong>clud<strong>in</strong>g: Tra<strong>in</strong>s Made Mary Vague, Temple Bar<br />

Gallery & Studios (2000); The Tuileries Incident, Hugh Lane Gallery,<br />

Dubl<strong>in</strong> (1999); The Medium’s Project, Temple Bar/various (1998);<br />

Athman Ben Salah: On Loss, Triskel, Cork (1997). He returned to artmak<strong>in</strong>g,<br />

after a break of several years, with his participation <strong>in</strong> the<br />

group exhibitions Float (2007) New York curated by Sara Reisman;<br />

and Blackbox<strong>in</strong>g (2007) curated by Tessa Gibl<strong>in</strong> at the Project <strong>Arts</strong><br />

Centre, Dubl<strong>in</strong>; and Coalesce: Happenstance (2009) curated by Paul<br />

O’Neill at SmartProject Space, Amsterdam.<br />

› Curatorial counter-rhetorics and the educational turn, Journal of Visual Art<br />

Practice, 9.2, 177-193.<br />

› Retro-Spective: ‘Places with a Past’ – New site-specific art <strong>in</strong> Charleston,<br />

Spoleto Festival USA, 1991, Art & the Public Sphere, 1.1, 55-64.<br />

Dr. Nick Wilson is Senior Lecturer <strong>in</strong> Cultural & Creative Industries at<br />

the Centre for Culture, Media & Creative Industries, K<strong>in</strong>g’s College<br />

London, which he jo<strong>in</strong>ed<strong>in</strong> September 2009. Prior to this he was<br />

Course Director of the MA <strong>in</strong> Creative Industries & the Creative

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