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who's who in research visuAl Arts - Intellect

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Leicester, LE1 7RH, United K<strong>in</strong>gdom<br />

Keywords academic<br />

entrepreneurship, knowledge transfer,<br />

higher education, <strong>in</strong>novator<br />

companies<br />

David Walker Barker<br />

University of Leeds, Department of<br />

Contemporary Art Practice, 96 St<br />

Helen's Street, Elsecar, South<br />

Yorkshire, S74 8BQ, United<br />

K<strong>in</strong>gdom<br />

Keywords human histories, geology,<br />

m<strong>in</strong>eralization, landscape,<br />

convergence<br />

Les Walkl<strong>in</strong>g<br />

RMIT University, Melbourne, School<br />

of Art, College of Design and Social<br />

Context, RMIT University, GPO Box<br />

2476, Melbourne VIC 3001, Australia<br />

Keywords<br />

technology transfer. His other <strong>research</strong> <strong>in</strong>terests <strong>in</strong>clude <strong>in</strong>novation and<br />

entrepreneurship <strong>in</strong> high-tech nascent markets and <strong>in</strong>novator<br />

companies.<br />

› Realiz<strong>in</strong>g capabilities – academic creativity and the creative <strong>in</strong>dustries,<br />

Creative Industries Journal, 1.2, 137-150.<br />

› Structured Creativity: Formulat<strong>in</strong>g an Innovation Strategy,Tim Sauber and<br />

Hugo Tschirky (2005), Creative Industries Journal, 1.2, 197-201.<br />

David Walker Barker is an artist and collector with a long-stand<strong>in</strong>g<br />

<strong>in</strong>terest <strong>in</strong> landscape environments. He is a lecturer <strong>in</strong> the School of<br />

Design at the University of Leeds, and exhibits both nationally and<br />

<strong>in</strong>ternationally. His artwork and associated <strong>research</strong> is concerned with<br />

diverse aspects of landscape environments and has developed, <strong>in</strong> part,<br />

through fieldwork carried out at a variety of locations. Interest <strong>in</strong><br />

aspects of geology and landscape evolution developed whilst at the<br />

Royal College of Art and has cont<strong>in</strong>ued as a significant preoccupation<br />

provid<strong>in</strong>g reference po<strong>in</strong>ts for a range of artworks <strong>in</strong>clud<strong>in</strong>g pa<strong>in</strong>t<strong>in</strong>gs,<br />

draw<strong>in</strong>gs, pa<strong>in</strong>ted constructions and cab<strong>in</strong>ets. These identify a<br />

fasc<strong>in</strong>ation for land surface and the structural complexity of geological<br />

contexts, associated processes and their concealed dimensions. A<br />

central focus relates to the <strong>in</strong>tersection of geological and human<br />

histories and their <strong>in</strong>dustrial and cultural impact upon landscape forms.<br />

› Realities and histories: 'In search of a hidden landscape', Journal of Visual<br />

Art Practice, 5.1, 5-20.<br />

Dr Les Walkl<strong>in</strong>g is an artist, educator and consultant. He was formerly<br />

Director of Media <strong>Arts</strong> and is now a Senior Research Fellow at RMIT<br />

University, Melbourne. His works are <strong>in</strong> the collections of the Centre<br />

for Creative Photography, Arizona; the Metropolitan Museum of Art,<br />

New York; and the national galleries of Australia and Victoria.<br />

› Reflections on medium specificity occasioned by the symposium 'Digital<br />

Light: Technique, Technology, Creation', Melbourne, 2011, Mov<strong>in</strong>g Image<br />

Review & Art Journal MIRAJ, 1.1, 37-49.

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