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who's who in research visuAl Arts - Intellect

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Calcutta House, London, E1 7NT,<br />

United K<strong>in</strong>gdom<br />

Keywords academic writ<strong>in</strong>g, CETL,<br />

collaboration, design, design practice<br />

Mary O'Neill<br />

University of L<strong>in</strong>coln, F<strong>in</strong>e Art,<br />

Brayford Pool, L<strong>in</strong>coln, LN6 7TS,<br />

United K<strong>in</strong>gdom<br />

Keywords art writ<strong>in</strong>g, narrative,<br />

recipient design, ephemerality<br />

Jhong Sook Oh<br />

Institute of Atelier-based Art<br />

Education, 202/147-2 Garak, 2 dong<br />

Sonpa gu, Seoul, Korea Sout<br />

Keywords hermeneutic method,<br />

mean<strong>in</strong>g mak<strong>in</strong>g, young children, art<br />

expression<br />

Writ<strong>in</strong>g <strong>in</strong> the Discipl<strong>in</strong>es <strong>in</strong>itiatives with academic staff. He is<br />

<strong>in</strong>volved <strong>in</strong> various <strong>research</strong> activities <strong>in</strong>volv<strong>in</strong>g the Writ<strong>in</strong>g Centre. In<br />

particular,he has long-stand<strong>in</strong>g <strong>in</strong>terests <strong>in</strong> ancient Rhetoric which he<br />

hopes to explore from a more practical standpo<strong>in</strong>t.<br />

› writ<strong>in</strong>g design: A collaboration between the Write Now CETL and The Sir<br />

John Cass Department of Art, Media and Design, Art, Design &<br />

Communication <strong>in</strong> Higher Education, 8.2, 177-182.<br />

Mary O’Neill is Senior Lecturer <strong>in</strong> Cultural Context and Higher<br />

Education Academy Teach<strong>in</strong>g Fellow at the University of L<strong>in</strong>coln. Her<br />

doctoral <strong>research</strong> was on the relationship between ephemeral practices<br />

<strong>in</strong> contemporary art and the behaviours associated with bereavement.<br />

Her current <strong>research</strong> <strong>in</strong>terests span a variety of discipl<strong>in</strong>es and fields<br />

and <strong>in</strong>clude loss, failure, boredom, rejection andsorrow (see ‘Art and<br />

Money: Experience Destruction Exposure’ <strong>in</strong> Money and Culture, Peter<br />

Lang 2007). She is <strong>in</strong>terested <strong>in</strong> the methodology of communicat<strong>in</strong>g<br />

these subjects and the <strong>in</strong>tersection between academic writ<strong>in</strong>g and<br />

creative narrative. She was organizer of the symposium Tell<strong>in</strong>g Stories:<br />

Theory and Narrative, Loughborough University, 2007. Her <strong>in</strong>terest <strong>in</strong><br />

challeng<strong>in</strong>g and difficult material has also led to an exam<strong>in</strong>ation of<br />

ethics and contemporary art.<br />

› Here, ‘I’ am, Journal of Writ<strong>in</strong>g <strong>in</strong> Creative Practice, 1.3, 293-300.<br />

Jhong Sook Oh earned her Ph.D. at Hong Ik University <strong>in</strong> Seoul. She<br />

graduated from Seoul National University of Education and was an<br />

elementary teacher. She wasEducational Coord<strong>in</strong>ator at Samsung<br />

Children’s Museum and Adviser at the Children’s Art Museum,<br />

National Museum of Contemporary Art, Korea. She was Professor at<br />

Bakseok Art College. Currently she is Director of the Institute of<br />

Atelier–based Art education. Her <strong>research</strong> <strong>in</strong>terest is children’s<br />

strategies of art expression and hermeneutic enquiry method.<br />

› Document<strong>in</strong>g children's dialogue: a hermeneutic phenomenological<br />

approach, International Journal of Education through Art, 4.1, 75-81.

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