who's who in research visuAl Arts - Intellect

Margo Blythman
London College of Communication -
University of the Arts London
Keywords non-verbal
communication, written assessment,
practice-based research, Writing
PAD, dissertation, concept mapping
Bryna Bobick
University of Memphis
Keywords
Ingrid Böck
TU Graz, Institut für
Architekturtheorie, Kunst- und
Kulturwissenschatfen,
Technikerstraße 4/3, Graz, 8010,
Austria
Keywords genetic algorithms, design
intelligence, selection, Le Corbusier,
discourse
Margo Blythman is Teaching and Learning Coordinator at the London
College of Communication, University of the Arts, London, where she
has responsibility for quality enhancement initiatives including study
support, tutorial and student retention. Her current research interests
include the micropolitics of organizations, lecturers’ conceptions of
their working practices and students’ approaches to design and writing.
› Textual and visual interfaces in art and design education, Art, Design &
Communication in Higher Education, 3.2, 75-80.
› Textual and visual interfaces in art and design education, Art, Design &
Communication in Higher Education, 3.3, 139-140.
› Reviews, Art, Design & Communication in Higher Education, 5.2, 153-.
› 11th European League Institutes of the Arts Biennial Conference: HEARTH
l'art au coeur du territoire
› Nantes, France, 2730 October 2010, Journal of Writing in Creative Practice,
3.2, 181-184.
› BOOK REVIEWS, International Journal of Education through Art, 8.1, 91-
97.
Ingrid Böck is a scientific assistant at the department of architecture
theory, art history and cultural studies at the TU Graz and an
architectural designer with Querkraft architects Vienna. She received
her degree in architecture from the TU Vienna, where she also taught
courses in architecture and design methods. Currently she is engaged in
her Ph.D. thesis on Rem Koolhaas/ OMA. She is on the editorial board
for GAM (Graz Architecture Magazine)and author of essays on Le
Corbusier’s urbanism, virtual versus analogous space, and the idea of
the formless in architecture. Previous works include Erasure, Grid, and
the City Beyond Planning (2009), Tools of the Virtual, Atmosphere and
Bodily Presence (2009), Imaginary and Spatial Immediacy (2008), and
R&Sie reading Bataille’s Formless (2007).
› Evolutionary design and the economy of discourse, Technoetic Arts: A
Journal of Speculative Research, 8.1, 67-76.