who's who in research visuAl Arts - Intellect

Christian W. Schneider
University of Georgia, English
Department, Kettengasse 12,
Heidelberg, 69117, Germany
Keywords authenticity, Alison
Bechdel, autobiography, Gothic
Diederik W. Schönau
Cito, Cito, P. O. Box 1034, 6801MG
Arnhem, The Netherlands
Keywords
Sven Christian Schuch
Keywords
Christian W. Schneider studied English Literature and Political Science
at Ruprecht-Karls-Universität Heidelberg, Germany, and at the
University of Wales Aberystwyth, receiving his Master’s degree. His
master’s thesis concerned the Gothic elements in Neil Gaiman’s The
Sandman. He is now a post-graduate student at the Heidelberg
Graduate School for Humanities and Social Sciences at Ruprecht-
Karls-Universität, working on his doctoral dissertation on the Gothic in
graphic literature, which will include an extended chapter on Fun
Home and autobiographical comics. His further research interests
include contemporary American fiction, the narrativity of digital media
and the postmodern transformation of popular literary genres.
› Young daughter, old artificer: Constructing the Gothic Fun Home, Studies in
Comics, 1.2, 337-358.
Diederik W. Schönau is Senior Consultant in educational assessment at
Cito, the institute for educational measurement in the Netherlands. His
background is in art history and psychology, and has been active in the
field of art education since 1982. He has published on many issues with
regards to art education, including assessment and policy. He has
served the Executive Board of InSEA in many positions, including the
Presidency from 1999 to 2002.
› Towards developmental self-assessment in the visual arts: Supporting new
ways of artistic learning in school, International Journal of Education
through Art, 8.1, 49-58.
› Exhibition Reviews, Journal of Curatorial Studies, 1.1, 101-116.
Michael Schwab Michael Schwab is a London-based German artist and researcher, who
has exhibited his work both in the United Kingdom and abroad.
Starting out using photography, he breaches a narrow definition of
‘medium’ in his work, focusing on post-conceptual uses of technology.