who's who in research visuAl Arts - Intellect

Peter Stott
Independent Artist, United Kingdom
Keywords augmented reality, virtual
perspective, anamorphosis, random
order, 'higher' order, transcendental
imaging/CGI, ultimate gestalt,
computational model, cognitive
framework, cannabis, embody,
reification
Sara Malou Strandvad
Performance-design, Department of
Communication, Business and
Information Technologies, Roskilde
University, Building 42.2,
Universitetsvej 1, Roskilde, 4000,
Denmark
Keywords sociology of art,
production of culture, actor-network
theory, socio-materiality, attachment,
mediation, co-production,
performativity
multicultural teaching/learning in the inner-city Cleveland; Rotterdam,
Holland; Ankara, Turkey; Sao Paulo, Brazil; Warsaw, Poland;
Barcelona, Spain; Evora, Portugal; and the Yaqui, Pima/Maricopa, Ak-
Chin, Apache and Navajo Reservations in Arizona. Her recent research
involves explorations in empowering students and disenfranchised
people in virtual worlds.
› Special Feature, International Journal of Education through Art, 1.3, 259-.
› An intergenerational and semiotic exploration of hair combs as material
culture, International Journal of Education through Art, 6.2, 163-179.
Peter Stott is an artist and writer. He was born in Burnley in 1962. He
has a BA Honours degree in 3D Design from Sunderland University
and an MA degree in European Fine Art from Winchester School of
Art. From 2002 to 2006 he studied part-time for a Ph.D. in Fine Art at
UCA, Canterbury, UK. He had a solo show at the Galeria Panorama in
Barcelona in 2001 and a solo show at the Mash Tun, Winchester in
2002. In 2006 he was short-listed for the Celeste Art Prize. Some of
Peter Stott´s experimental artwork exploring the concept of
Transcendental Object perception, can be viewed at: www.
saatchionline/pstotto.
› Transcendental imaging and augmented reality, Technoetic Arts: A Journal
of Speculative Research, 9.1, 49-64.
Sara Malou Strandvad is an assistant professor at Roskilde University.
She holds a MA in sociology and a Ph.D. in organizational studies. Her
previous work has dealt with the career construction of young Danish
filmmakers, and development work in Danish film production from the
perspective of 'the new sociology of art' that looks into the role of
mediators and the co-constructions of material works and social
relations. Currently, she studies how creative talent is performed and
evaluated in entrance examinations.
› Is this what we should be comparing when comparing film production
regimes? A systematic typological scheme and application, Creative
Industries Journal, 1.2, 171-192.