who's who in research visuAl Arts - Intellect

Sandra Alexander
American University in Dubai,
Sheikh Zayed Road, Dubai, United
Arab Erimates
Keywords Paul Cézanne,
phenomenology, sense perception,
embodied experience
Mel Alexenberg
College of Judea and Samaria, 36
Lohamay Hageto Street, Petach
Tikvah, 49651, Israel
Keywords autoethnography,
artographic enquiry, post-digital age
realms of learning creativity, ancient
schema, Kabbalah
Dijana Alić
University of New South Wales
Keywords
› Amores-Eros and Low Power Society, Technoetic Arts: A Journal of
Speculative Research, 4.2, 75-78.
Sandra Alexander (D.Phil, Oxford) is an independent scholar based in
Oxford. In 2002, she successfully completed her thesis focusing on the
themes of art, expression and historicity in the work of Merleau-Ponty.
More recently, she has taught for Oxford Brookes University, acted as
tutor for the Sarah Lawrence Programme based at Wadham College,
Oxford. She currently works at the American University in Dubai.
› Beyond 'Cézanne's Doubt', Journal of Visual Art Practice, 4.2, 97-110.
Mel Alexenberg is an artist, educator, writer, and blogger working at
the interface between art, science, technology, and culture. His
artworks can be seen at www.melalexenberg.com. They explore
interrelationships between the post-digital age and Jewish
consciousness, space-time systems and electronic technologies,
participatory art and community values, high tech and high touch
experiences, responsive art in cyberspace and real space, and blogart
and wikiart. His artworks exploring digital technologies and global
systems are in the collections of more than forty museums worldwide,
including the Metropolitan Museum of Art in New York, the Jewish
Museum in Prague, and the Israel Museum in Jerusalem.
› Autoethnographic identification of realms of learning for art education in a
postdigital age, International Journal of Education through Art, 4.3, 231-
246.
› Ancient schema and technoetic creativity, Technoetic Arts: A Journal of
Speculative Research, 4.1, 3-14.
Dijana Alić holds a degree in Architecture from the University of
Sarajevo and a Ph.D. from the University of New South Wales
(UNSW). She is currently a senior lecturer in Design, History and
Theory in the Faculty of the Built Environment, UNSW, Sydney,
Australia. Her research interest focuses on the relationship between
modernity and national expression in architecture, particularly in the
context of post-World War II 'Eastern' Europe. Alić's work has been